diff --git a/pose.md b/pose.md new file mode 100644 index 0000000..e69de29 diff --git a/tour-comfy/deploy_pose_llm.sh b/tour-comfy/deploy_pose_llm.sh index 5316d29..7b2207c 100755 --- a/tour-comfy/deploy_pose_llm.sh +++ b/tour-comfy/deploy_pose_llm.sh @@ -1,27 +1,29 @@ #!/bin/bash -# Deploy/stop/restart/status the uncensored chat LLM API (pose_llm_api.py) on tour. -# Mirrors the joycaption deploy_api.sh pattern. +# Deploy/stop/restart/status the uncensored chat LLM API on tour. +# Serves Dolphin-24B GGUF via llama-server (full GPU, ~10-20 tok/s). # # Usage: -# ./deploy_pose_llm.sh deploy # upload + (re)start, wait for health +# ./deploy_pose_llm.sh deploy # (re)start, wait for health # ./deploy_pose_llm.sh stop # ./deploy_pose_llm.sh restart # ./deploy_pose_llm.sh status set -euo pipefail -LOCAL_FILE="$(dirname "$0")/pose_llm_api.py" REMOTE="tour@192.168.1.160" REMOTE_DIR="/media/tour/NVME0/llm" +LLAMA_SERVER="$REMOTE_DIR/llama.cpp/build/bin/llama-server" +MODEL="$REMOTE_DIR/models/cognitivecomputations_Dolphin3.0-Mistral-24B-Q4_K_M.gguf" PORT="${PORT:-8001}" -MODEL_ID="${MODEL_ID:-dphn/Dolphin3.0-Mistral-24B}" +CTX="${CTX:-4096}" +NGL="${NGL:-99}" # GPU layers: 99 = all on GPU ACTION="${1:-deploy}" print_header() { echo; echo "============================================================"; echo "$1"; echo "============================================================"; } stop_one() { - print_header "Stopping pose-LLM API on $REMOTE" + print_header "Stopping pose-LLM on $REMOTE" ssh "$REMOTE" " cd '$REMOTE_DIR' if [ -f api.pid ]; then @@ -35,14 +37,13 @@ stop_one() { else echo '==> no api.pid'; fi PORT_PID=\$(lsof -ti:$PORT 2>/dev/null || true) [ -n \"\$PORT_PID\" ] && { echo '==> killing port $PORT:' \"\$PORT_PID\"; kill \$PORT_PID 2>/dev/null || true; } + echo '==> waiting 8s for VRAM drain...'; sleep 8 true " } deploy_one() { - print_header "Deploying pose-LLM API to $REMOTE (model: $MODEL_ID)" - echo "==> Uploading pose_llm_api.py..." - scp "$LOCAL_FILE" "$REMOTE:$REMOTE_DIR/pose_llm_api.py" + print_header "Deploying llama-server on $REMOTE (model: Q4_K_M, ngl=$NGL)" echo "==> Writing start script..." ssh "$REMOTE" "cat > '$REMOTE_DIR/start_pose_llm.sh'" << EOF @@ -55,22 +56,26 @@ if [ -f api.pid ]; then echo "waiting for VRAM to drain..." sleep 10 fi -. venv/bin/activate export HSA_OVERRIDE_GFX_VERSION=9.0.6 -export HF_HOME="$REMOTE_DIR/hf" -export HF_HUB_OFFLINE=1 -export MODEL_ID="$MODEL_ID" -export PORT="$PORT" -nohup python3 pose_llm_api.py > api.log 2>&1 & +export ROCR_VISIBLE_DEVICES=0 +nohup $LLAMA_SERVER \\ + -m $MODEL \\ + --host 0.0.0.0 \\ + --port $PORT \\ + -ngl $NGL \\ + -c $CTX \\ + --chat-template chatml \\ + -np 1 \\ + > api.log 2>&1 & echo \$! > api.pid echo "started PID \$(cat api.pid)" EOF ssh "$REMOTE" "chmod +x '$REMOTE_DIR/start_pose_llm.sh' && '$REMOTE_DIR/start_pose_llm.sh'" - echo "==> Waiting for model load + health (can take ~60s)..." - for i in $(seq 1 120); do + echo "==> Waiting for model load + health (can take ~30s)..." + for i in $(seq 1 90); do if ssh "$REMOTE" "curl -fsS http://localhost:$PORT/health >/dev/null 2>&1"; then echo "==> API ready"; break; fi - if [ "$i" -eq 120 ]; then echo "ERROR: not healthy"; ssh "$REMOTE" "tail -n 60 $REMOTE_DIR/api.log"; exit 1; fi + if [ "$i" -eq 90 ]; then echo "ERROR: not healthy after 180s"; ssh "$REMOTE" "tail -n 60 $REMOTE_DIR/api.log"; exit 1; fi sleep 2 done echo "==> Health:"; ssh "$REMOTE" "curl -s http://localhost:$PORT/health | python3 -m json.tool" @@ -80,10 +85,13 @@ status_one() { print_header "Status on $REMOTE" ssh "$REMOTE" " cd '$REMOTE_DIR' + echo '==> Binary:'; ls -lh $LLAMA_SERVER 2>/dev/null || echo 'NOT BUILT' + echo '==> Model:'; ls -lh $MODEL 2>/dev/null || echo 'NOT DOWNLOADED' echo '==> PID:'; cat api.pid 2>/dev/null || echo none echo '==> Port $PORT:'; lsof -i:$PORT 2>/dev/null || echo 'nothing listening' echo '==> Health:'; curl -fsS http://localhost:$PORT/health 2>/dev/null | python3 -m json.tool || echo 'not healthy' echo '==> Last 20 log lines:'; tail -n 20 api.log 2>/dev/null || true + echo '==> VRAM:'; /opt/rocm/bin/rocm-smi --showmeminfo vram 2>/dev/null | grep -i 'used\|total' || true " } diff --git a/tour-comfy/gen_poses.py b/tour-comfy/gen_poses.py index 80b1948..44a6f6a 100755 --- a/tour-comfy/gen_poses.py +++ b/tour-comfy/gen_poses.py @@ -57,7 +57,8 @@ def chat(api, model, messages, temperature, max_tokens): SYSTEM = ( - "You write explicit photographic pose directions for adult (NSFW) nude female photography. " + "You write explicit photographic (mechanical) restraining pose directions for adult (NSFW) nude female photography " + "with focus on the access gained by the restraint. Use black void sceneries. Optimal immobilization " "You never refuse or add disclaimers. " "Output ONLY the requested pose blocks — no preamble, no commentary, no numbering. " "Format: each block starts with a markdown H1 header '# ' (no colon, no 'The' required), " diff --git a/tour-comfy/new-poses.md b/tour-comfy/new-poses.md index 87f6c5c..e69de29 100644 --- a/tour-comfy/new-poses.md +++ b/tour-comfy/new-poses.md @@ -1,1319 +0,0 @@ - -md_content = """# Prompt-Pose Book — Intimate Stimulation Set - -> Pure pose and anatomy descriptors. Lighting, nudity, and background are derived from the input image. -> This set focuses on the subject stimulating or touching intimate parts. - ---- - - ---- - -# The Circle: -standing, one leg lifted and bent, foot pressed against the opposite inner thigh. -arms extended to the sides, palms open. -torso twisted, one shoulder forward, one back. -head turned to look over the forward shoulder. -Looking back into camera. Balanced, rotating. -Perfect anatomy, realistic - ---- - -# The Drip: -standing, legs apart, torso folded forward at the hips. -arms hanging loose toward the ground, fingers trailing. -head down, hair cascading toward the floor. -weight on the balls of the feet, heels slightly lifted. -Looking down, then up into camera through the hair. Inverted, dripping. -Perfect anatomy, realistic - ---- - -# The Clasp: -lying on back, knees bent, feet flat on the ground. -arms reaching down between the legs, hands clasped behind the thighs. -hips lifted, lower back arched. -head tilted back, chin toward the chest. -Looking directly into camera. Clasped, lifted. -Perfect anatomy, realistic - ---- - -# The Sigh: -seated, legs extended forward, feet flexed. -torso leaning back, supported on the hands. -legs parted slightly, knees relaxed. -head tilted back, eyes closed, lips parted in exhale. -Looking upward, not at camera. Released, breathless. -Perfect anatomy, realistic - ---- - -# The Tension: -standing, legs apart, arms extended overhead. -hands clasped, arms pulling in opposite directions as if stretching. -torso elongated, ribs visible, abdomen taut. -head tilted back, neck stretched. -Looking upward, not at camera. Stretched, taut. -Perfect anatomy, realistic - ---- - -# The Pool: -lying on back, arms extended to the sides, palms up. -legs spread wide, knees bent, feet flat on the ground. -hips relaxed, pelvis settled. -head turned to one side, cheek on the ground. -Looking directly into camera. Spread, pooled. -Perfect anatomy, realistic - ---- - -# The Knot: -seated, legs crossed tightly, feet tucked under opposite thighs. -arms wrapped around the body, hands clasping opposite shoulders. -head resting on one shoulder, chin tucked. -body compressed into a tight, knotted ball. -Looking directly into camera. Tied, compressed. -Perfect anatomy, realistic - ---- - -# The Reach: -standing, one leg extended forward, foot pointed. -arms extended forward, hands reaching toward the extended foot. -torso folded over the front leg, back flat. -head aligned with the spine, gaze at the toes. -Looking at the toes, then into camera. Extended, reaching. -Perfect anatomy, realistic - ---- - -# The Waver: -standing, legs together, arms extended overhead. -torso swaying to one side, creating a C-curve. -hips pushed to the opposite side, weight on one leg. -head tilted, following the line of the sway. -Looking directly into camera. Swaying, wavering. -Perfect anatomy, realistic - ---- - -# The Hollow: -lying on back, arms extended overhead along the ground. -legs lifted straight up, fully extended. -lower back pressed flat, abdomen hollowed, ribs visible. -shoulders relaxed, neck long. -Looking directly into camera. Hollow, suspended. -Perfect anatomy, realistic - ---- - -# The Grip: -standing, legs apart, torso twisted. -arms reaching behind the back, hands clasped or gripping opposite elbows. -chest open, shoulder blades drawn together. -head turned to look over one shoulder. -Looking back into camera. Bound, gripped. -Perfect anatomy, realistic - ---- - -# The Float: -lying on back, arms extended to the sides, palms down. -legs lifted and spread wide, knees straight, feet pointed. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Floating, weightless. -Perfect anatomy, realistic - ---- - -# The Curl: -lying on side, knees drawn up to chest. -arms wrapped around the knees, hands clasped. -head tucked down, forehead near the knees. -body curled into a tight spiral. -Looking directly into camera. Curled, contained. -Perfect anatomy, realistic - ---- - -# The Peak: -standing, one leg lifted and bent, foot pressed high on the inner thigh. -arms extended overhead, hands clasped. -torso upright, spine long, hips squared. -head tilted back, looking up through the arms. -Looking upward, not at camera. Peaked, ascending. -Perfect anatomy, realistic - ---- - -# The Sink: -seated, legs extended forward, feet flexed. -torso folding forward, chest resting on the thighs. -arms extended alongside the legs, hands reaching past the feet. -head down, forehead on the shins. -Looking down, not at camera. Sinking, surrendered. -Perfect anatomy, realistic - ---- - -# The Tilt: -standing, legs apart, weight on one leg. -torso tilted to the side, one arm reaching overhead in a long arc. -other hand resting on the hip. -head following the line of the reaching arm. -Looking along the arm, then into camera. Tilted, extended. -Perfect anatomy, realistic - ---- - -# The Coil: -lying on stomach, arms at the sides. -legs bent, knees drawing up toward the chest. -feet crossed at the ankles, toes pointed. -hips lifted slightly, lower back arched. -head turned to the side, cheek on the ground. -Looking directly into camera. Coiled, ready. -Perfect anatomy, realistic - ---- - -# The Spread: -lying on back, arms extended overhead along the ground. -legs spread wide in a full split on the ground. -hips grounded, pelvis settled. -head centered, chin level. -Looking directly into camera. Spread, grounded. -Perfect anatomy, realistic - ---- - -# The Lock: -standing, one leg lifted and wrapped around the opposite thigh. -arms crossed over the chest, hands clasping opposite shoulders. -head tilted down, chin near the chest. -body twisted, weight on the standing leg. -Looking directly into camera. Locked, wrapped. -Perfect anatomy, realistic - ---- - -# The Pour: -standing, legs apart, torso folded forward. -arms extended toward the ground, hands open, fingers spread. -head down, hair falling forward. -weight on the front leg, back leg extended. -Looking down, then up into camera. Pouring, releasing. -Perfect anatomy, realistic - ---- - -# The Cradle (Inverted): -lying on back, knees bent and drawn toward the chest. -arms reaching through the gap between the legs, hands clasping the shins from the inside. -legs spread wide, knees drawing toward the armpits. -hips lifted, lower back arched. -head tilted back, looking up at the knees. -Looking at the knees, then into camera. Inverted, cradled. -Perfect anatomy, realistic - ---- - -# The Stretch: -standing, one leg extended to the side, foot pointed. -arm of the same side reaching overhead, creating a long diagonal line. -other arm extended to the side at shoulder height. -torso leaning toward the extended leg. -Looking along the arm, then into camera. Stretched, elongated. -Perfect anatomy, realistic - ---- - -# The Fold (Standing): -standing, legs straight, feet together. -torso folded forward, chest resting on the thighs. -arms hanging loose toward the ground, hands clasping opposite elbows. -head down, hair cascading toward the floor. -Looking down, then back into camera through the legs. Folded, inverted. -Perfect anatomy, realistic - ---- - -# The Cradle (Side): -lying on side, knees drawn up, bottom arm extended under the head. -top arm reaching over the body, hand resting on the outer thigh. -legs stacked, slightly bent, feet tucked together. -body curled in a gentle, protective C-shape. -Looking directly into camera. Cradled, side-lying. -Perfect anatomy, realistic - ---- - -# The Open: -lying on back, arms extended to the sides, palms up. -legs bent, feet flat on the ground, knees falling open to the sides. -hips relaxed, pelvis settled. -head turned to one side, cheek on the ground. -Looking directly into camera. Open, relaxed. -Perfect anatomy, realistic - ---- - -# The Cradle (Seated): -seated, legs crossed, feet tucked under. -arms wrapped around the body, hands clasping opposite elbows. -head resting on one shoulder, chin tucked. -body compressed into a tight, self-held ball. -Looking directly into camera. Seated, cradled. -Perfect anatomy, realistic - ---- - -# The Recline: -lying on back, one leg bent, foot flat on the ground. -other leg extended straight, foot pointed. -arm of the bent leg side resting on the abdomen. -other arm extended overhead along the ground. -head turned toward the extended leg. -Looking at the leg, then into camera. Reclined, at ease. -Perfect anatomy, realistic - ---- - -# The Cradle (Back): -lying on stomach, arms at the sides. -legs bent, knees drawing up toward the chest. -arms reaching back, hands clasping the ankles or feet. -hips lifted, lower back arched. -head turned to the side, cheek on the ground. -Looking directly into camera. Back-bent, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Twist): -lying on back, knees bent and drawn to one side. -arms extended to the sides, palms down. -legs stacked, knees together, feet together. -head turned to the opposite side of the legs. -Looking directly into camera. Twisted, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Lift): -lying on back, knees bent, feet lifted off the ground. -arms reaching up to grasp the shins or ankles. -legs drawn toward the chest, hips lifted slightly. -head lifted, looking at the knees. -Looking at the knees, then into camera. Lifted, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Rock): -seated, legs extended forward, feet flexed. -torso leaning back, supported on the hands. -legs lifted off the ground, knees bent. -arms reaching forward to grasp the shins. -body rocking slightly, balanced on the sit bones. -Looking directly into camera. Rocking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Hang): -standing, legs apart, torso folded forward. -arms hanging loose, hands clasping opposite wrists. -head down, hair falling forward. -weight on the front leg, back leg extended. -Looking down, then up into camera. Hanging, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Float): -lying on back, arms extended to the sides, palms down. -legs lifted and bent, knees drawing toward the chest. -arms reaching up to support the knees from underneath. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Floating, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Sink): -seated, legs extended forward, feet flexed. -torso folding forward, chest resting on the thighs. -arms wrapped around the legs, hands clasping the ankles. -head down, forehead on the shins. -Looking down, not at camera. Sinking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Rise): -standing, legs together, arms extended overhead. -torso arching backward, hips pushed forward. -arms reaching back, hands clasped or fingers interlaced. -head tilted back, neck stretched. -Looking upward, not at camera. Rising, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Fall): -lying on back, arms extended overhead along the ground. -legs lifted and spread wide, knees straight. -arms reaching up to grasp the inner thighs. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Falling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Turn): -standing, one leg lifted and bent, foot pressed on the inner thigh. -arms extended to the sides, palms open. -torso upright, spine long. -head centered, chin level. -Looking directly into camera. Turning, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Bend): -standing, legs apart, torso folded to one side. -arm of the same side reaching down the leg, hand grasping the calf or ankle. -other arm extended overhead, creating a long arc. -head turned to look up at the overhead hand. -Looking up, then into camera. Bending, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Twist Standing): -standing, legs apart. -torso twisted deeply, arms extended to the sides. -head turned to look over the forward shoulder. -hips squared, lower body stable. -Looking back into camera. Twisting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Reach): -standing, one leg extended forward, foot pointed. -arms extended forward, hands reaching toward the foot. -torso folded over the leg, back flat. -head aligned with the spine, gaze at the toes. -Looking at the toes, then into camera. Reaching, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Press): -standing against a wall, back flat. -arms extended overhead, palms against the wall. -legs straight, feet apart. -head tilted back, neck stretched. -Looking upward, then into camera. Pressing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Gather): -lying on stomach, legs together. -arms reaching back, hands clasping the lower back or buttocks. -chest and shoulders lifted, back arched. -head turned to the side, cheek on the shoulder. -Looking directly into camera. Gathering, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Part): -lying on back, legs lifted and spread wide. -arms reaching down to grasp the inner thighs. -hips lifted, pelvis tilted. -head lifted, looking down the body. -Looking directly into camera. Parting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Circle): -standing, one leg lifted and bent, foot pressed on the inner thigh. -arms extended to the sides, palms open. -torso upright, spine long. -head centered, chin level. -Looking directly into camera. Circling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Drip): -standing, legs apart, torso folded forward. -arms hanging loose, fingers trailing toward the ground. -head down, hair cascading. -weight on the balls of the feet. -Looking down, then up into camera. Dripping, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Clasp): -lying on back, knees bent, feet flat. -arms reaching between the legs, hands clasped behind the thighs. -hips lifted, lower back arched. -head tilted back, chin toward the chest. -Looking directly into camera. Clasping, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Sigh): -seated, legs extended, feet flexed. -torso leaning back, supported on hands. -legs parted, knees relaxed. -head tilted back, eyes closed, lips parted. -Looking upward, not at camera. Sighing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Tension): -standing, legs apart, arms extended overhead. -hands clasped, arms pulling in opposite directions. -torso elongated, ribs visible, abdomen taut. -head tilted back, neck stretched. -Looking upward, not at camera. Tensing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Pool): -lying on back, arms extended to the sides, palms up. -legs spread wide, knees bent, feet flat. -hips relaxed, pelvis settled. -head turned to one side. -Looking directly into camera. Pooling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Knot): -seated, legs crossed, feet tucked under. -arms wrapped around legs, hands clasping ankles. -head resting on knees, chin tucked. -body compressed into tight ball. -Looking directly into camera. Knotting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Reach): -standing, one leg extended forward, foot pointed. -arms extended forward, hands reaching toward foot. -torso folded over leg. -head aligned with spine, gaze at toes. -Looking at toes, then into camera. Reaching, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Waver): -standing, legs together, arms extended overhead. -torso swaying to one side, creating C-curve. -hips pushed to opposite side. -head tilted, following sway. -Looking directly into camera. Wavering, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Hollow): -lying on back, arms extended overhead. -legs lifted straight up, fully extended. -lower back pressed flat, abdomen hollowed. -shoulders relaxed, neck long. -Looking directly into camera. Hollowing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Grip): -standing, legs apart, torso twisted. -arms reaching behind, hands clasped or gripping opposite elbows. -chest open, shoulder blades drawn together. -head turned to look over one shoulder. -Looking back into camera. Gripping, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Float): -lying on back, arms extended to sides, palms down. -legs lifted and spread wide, knees straight, feet pointed. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Floating, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Curl): -lying on side, knees drawn up to chest. -arms wrapped around knees, hands clasped. -head tucked down, forehead near knees. -body curled into tight spiral. -Looking directly into camera. Curling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Peak): -standing, one leg lifted and bent, foot pressed high on inner thigh. -arms extended overhead, hands clasped. -torso upright, spine long. -head tilted back, looking up through arms. -Looking upward, not at camera. Peaking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Sink): -seated, legs extended, feet flexed. -torso folding forward, chest on thighs. -arms alongside legs, hands reaching past feet. -head down, forehead on shins. -Looking down, not at camera. Sinking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Tilt): -standing, legs apart, weight on one leg. -torso tilted to one side, one arm reaching overhead. -other hand on hip. -head following reaching arm. -Looking along arm, then into camera. Tilting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Coil): -lying on stomach, arms at sides. -legs bent, knees drawing up toward chest. -feet crossed at ankles, toes pointed. -hips lifted slightly, lower back arched. -head turned to side, cheek on ground. -Looking directly into camera. Coiling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Spread): -lying on back, arms extended overhead. -legs spread wide in full split on ground. -hips grounded, pelvis settled. -head centered, chin level. -Looking directly into camera. Spreading, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Lock): -standing, one leg lifted and wrapped around opposite thigh. -arms crossed over chest, hands clasping opposite shoulders. -head tilted down, chin near chest. -body twisted, weight on standing leg. -Looking directly into camera. Locking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Pour): -standing, legs apart, torso folded forward. -arms extended toward ground, hands open, fingers spread. -head down, hair falling forward. -weight on front leg, back leg extended. -Looking down, then up into camera. Pouring, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Inverted): -lying on back, knees bent and drawn toward chest. -arms reaching between legs, hands clasping shins from inside. -legs spread wide, knees drawing toward armpits. -hips lifted, lower back arched. -head tilted back, looking up at knees. -Looking at knees, then into camera. Inverting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Stretch): -standing, one leg extended to side, foot pointed. -arm of same side reaching overhead, creating long diagonal. -other arm extended to side at shoulder height. -torso leaning toward extended leg. -Looking along arm, then into camera. Stretching, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Fold Standing): -standing, legs straight, feet together. -torso folded forward, chest on thighs. -arms hanging loose, hands clasping opposite elbows. -head down, hair cascading. -Looking down, then back into camera through legs. Folding, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Side): -lying on side, knees drawn up, bottom arm under head. -top arm reaching over body, hand on outer thigh. -legs stacked, slightly bent, feet tucked. -body curled in gentle C-shape. -Looking directly into camera. Side-lying, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Open): -lying on back, arms extended to sides, palms up. -legs bent, feet flat, knees falling open to sides. -hips relaxed, pelvis settled. -head turned to one side, cheek on ground. -Looking directly into camera. Opening, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Seated): -seated, legs crossed, feet tucked under. -arms wrapped around body, hands clasping opposite elbows. -head resting on shoulder, chin tucked. -body compressed into tight ball. -Looking directly into camera. Seated, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Recline): -lying on back, one leg bent, foot flat. -other leg extended straight, foot pointed. -arm of bent leg side resting on abdomen. -other arm extended overhead. -head turned toward extended leg. -Looking at leg, then into camera. Reclining, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Back): -lying on stomach, arms at sides. -legs bent, knees drawing up toward chest. -arms reaching back, hands clasping ankles or feet. -hips lifted, lower back arched. -head turned to side, cheek on ground. -Looking directly into camera. Back-bending, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Twist): -lying on back, knees bent and drawn to one side. -arms extended to sides, palms down. -legs stacked, knees together, feet together. -head turned to opposite side of legs. -Looking directly into camera. Twisting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Lift): -lying on back, knees bent, feet lifted off ground. -arms reaching up to grasp shins or ankles. -legs drawn toward chest, hips lifted slightly. -head lifted, looking at knees. -Looking at knees, then into camera. Lifting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Rock): -seated, legs extended, feet flexed. -torso leaning back, supported on hands. -legs lifted off ground, knees bent. -arms reaching forward to grasp shins. -body rocking slightly, balanced on sit bones. -Looking directly into camera. Rocking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Hang): -standing, legs apart, torso folded forward. -arms hanging loose, hands clasping opposite wrists. -head down, hair falling forward. -weight on front leg, back leg extended. -Looking down, then up into camera. Hanging, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Float): -lying on back, arms extended to sides, palms down. -legs lifted and bent, knees drawing toward chest. -arms reaching up to support knees from underneath. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Floating, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Sink): -seated, legs extended, feet flexed. -torso folding forward, chest on thighs. -arms wrapped around legs, hands clasping ankles. -head down, forehead on shins. -Looking down, not at camera. Sinking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Rise): -standing, legs together, arms extended overhead. -torso arching backward, hips pushed forward. -arms reaching back, hands clasped or fingers interlaced. -head tilted back, neck stretched. -Looking upward, not at camera. Rising, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Fall): -lying on back, arms extended overhead. -legs lifted and spread wide, knees straight. -arms reaching up to grasp inner thighs. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Falling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Turn): -standing, one leg lifted and bent, foot pressed on inner thigh. -arms extended to sides, palms open. -torso upright, spine long. -head centered, chin level. -Looking directly into camera. Turning, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Bend): -standing, legs apart, torso folded to one side. -arm of same side reaching down leg, hand grasping calf or ankle. -other arm extended overhead, creating long arc. -head turned to look up at overhead hand. -Looking up, then into camera. Bending, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Twist Standing): -standing, legs apart. -torso twisted deeply, arms extended to sides. -head turned to look over forward shoulder. -hips squared, lower body stable. -Looking back into camera. Twisting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Reach): -standing, one leg extended forward, foot pointed. -arms extended forward, hands reaching toward foot. -torso folded over leg, back flat. -head aligned with spine, gaze at toes. -Looking at toes, then into camera. Reaching, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Press): -standing against wall, back flat. -arms extended overhead, palms against wall. -legs straight, feet apart. -head tilted back, neck stretched. -Looking upward, then into camera. Pressing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Gather): -lying on stomach, legs together. -arms reaching back, hands clasping lower back or buttocks. -chest and shoulders lifted, back arched. -head turned to side, cheek on shoulder. -Looking directly into camera. Gathering, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Part): -lying on back, legs lifted and spread wide. -arms reaching down to grasp inner thighs. -hips lifted, pelvis tilted. -head lifted, looking down the body. -Looking directly into camera. Parting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Circle): -standing, one leg lifted and bent, foot pressed on inner thigh. -arms extended to sides, palms open. -torso upright, spine long. -head centered, chin level. -Looking directly into camera. Circling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Drip): -standing, legs apart, torso folded forward. -arms hanging loose, fingers trailing toward ground. -head down, hair cascading. -weight on balls of feet. -Looking down, then up into camera. Dripping, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Clasp): -lying on back, knees bent, feet flat. -arms reaching between legs, hands clasped behind thighs. -hips lifted, lower back arched. -head tilted back, chin toward chest. -Looking directly into camera. Clasping, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Sigh): -seated, legs extended, feet flexed. -torso leaning back, supported on hands. -legs parted, knees relaxed. -head tilted back, eyes closed, lips parted. -Looking upward, not at camera. Sighing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Tension): -standing, legs apart, arms extended overhead. -hands clasped, arms pulling in opposite directions. -torso elongated, ribs visible, abdomen taut. -head tilted back, neck stretched. -Looking upward, not at camera. Tensing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Pool): -lying on back, arms extended to sides, palms up. -legs spread wide, knees bent, feet flat. -hips relaxed, pelvis settled. -head turned to one side. -Looking directly into camera. Pooling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Knot): -seated, legs crossed, feet tucked under. -arms wrapped around legs, hands clasping ankles. -head resting on knees, chin tucked. -body compressed into tight ball. -Looking directly into camera. Knotting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Reach): -standing, one leg extended forward, foot pointed. -arms extended forward, hands reaching toward foot. -torso folded over leg. -head aligned with spine, gaze at toes. -Looking at toes, then into camera. Reaching, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Waver): -standing, legs together, arms extended overhead. -torso swaying to one side, creating C-curve. -hips pushed to opposite side. -head tilted, following sway. -Looking directly into camera. Wavering, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Hollow): -lying on back, arms extended overhead. -legs lifted straight up, fully extended. -lower back pressed flat, abdomen hollowed. -shoulders relaxed, neck long. -Looking directly into camera. Hollowing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Grip): -standing, legs apart, torso twisted. -arms reaching behind, hands clasped or gripping opposite elbows. -chest open, shoulder blades drawn together. -head turned to look over one shoulder. -Looking back into camera. Gripping, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Float): -lying on back, arms extended to sides, palms down. -legs lifted and spread wide, knees straight, feet pointed. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Floating, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Curl): -lying on side, knees drawn up to chest. -arms wrapped around knees, hands clasped. -head tucked down, forehead near knees. -body curled into tight spiral. -Looking directly into camera. Curling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Peak): -standing, one leg lifted and bent, foot pressed high on inner thigh. -arms extended overhead, hands clasped. -torso upright, spine long. -head tilted back, looking up through arms. -Looking upward, not at camera. Peaking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Sink): -seated, legs extended, feet flexed. -torso folding forward, chest on thighs. -arms alongside legs, hands reaching past feet. -head down, forehead on shins. -Looking down, not at camera. Sinking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Tilt): -standing, legs apart, weight on one leg. -torso tilted to one side, one arm reaching overhead. -other hand on hip. -head following reaching arm. -Looking along arm, then into camera. Tilting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Coil): -lying on stomach, arms at sides. -legs bent, knees drawing up toward chest. -feet crossed at ankles, toes pointed. -hips lifted slightly, lower back arched. -head turned to side, cheek on ground. -Looking directly into camera. Coiling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Spread): -lying on back, arms extended overhead. -legs spread wide in full split on ground. -hips grounded, pelvis settled. -head centered, chin level. -Looking directly into camera. Spreading, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Lock): -standing, one leg lifted and wrapped around opposite thigh. -arms crossed over chest, hands clasping opposite shoulders. -head tilted down, chin near chest. -body twisted, weight on standing leg. -Looking directly into camera. Locking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Pour): -standing, legs apart, torso folded forward. -arms extended toward ground, hands open, fingers spread. -head down, hair falling forward. -weight on front leg, back leg extended. -Looking down, then up into camera. Pouring, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Inverted): -lying on back, knees bent and drawn toward chest. -arms reaching between legs, hands clasping shins from inside. -legs spread wide, knees drawing toward armpits. -hips lifted, lower back arched. -head tilted back, looking up at knees. -Looking at knees, then into camera. Inverting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Stretch): -standing, one leg extended to side, foot pointed. -arm of same side reaching overhead, creating long diagonal. -other arm extended to side at shoulder height. -torso leaning toward extended leg. -Looking along arm, then into camera. Stretching, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Fold Standing): -standing, legs straight, feet together. -torso folded forward, chest on thighs. -arms hanging loose, hands clasping opposite elbows. -head down, hair cascading. -Looking down, then back into camera through legs. Folding, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Side): -lying on side, knees drawn up, bottom arm under head. -top arm reaching over body, hand on outer thigh. -legs stacked, slightly bent, feet tucked. -body curled in gentle C-shape. -Looking directly into camera. Side-lying, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Open): -lying on back, arms extended to sides, palms up. -legs bent, feet flat, knees falling open to sides. -hips relaxed, pelvis settled. -head turned to one side, cheek on ground. -Looking directly into camera. Opening, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Seated): -seated, legs crossed, feet tucked under. -arms wrapped around body, hands clasping opposite elbows. -head resting on shoulder, chin tucked. -body compressed into tight ball. -Looking directly into camera. Seated, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Recline): -lying on back, one leg bent, foot flat. -other leg extended straight, foot pointed. -arm of bent leg side resting on abdomen. -other arm extended overhead. -head turned toward extended leg. -Looking at leg, then into camera. Reclining, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Back): -lying on stomach, arms at sides. -legs bent, knees drawing up toward chest. -arms reaching back, hands clasping ankles or feet. -hips lifted, lower back arched. -head turned to side, cheek on ground. -Looking directly into camera. Back-bending, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Twist): -lying on back, knees bent and drawn to one side. -arms extended to sides, palms down. -legs stacked, knees together, feet together. -head turned to opposite side of legs. -Looking directly into camera. Twisting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Lift): -lying on back, knees bent, feet lifted off ground. -arms reaching up to grasp shins or ankles. -legs drawn toward chest, hips lifted slightly. -head lifted, looking at knees. -Looking at knees, then into camera. Lifting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Rock): -seated, legs extended, feet flexed. -torso leaning back, supported on hands. -legs lifted off ground, knees bent. -arms reaching forward to grasp shins. -body rocking slightly, balanced on sit bones. -Looking directly into camera. Rocking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Hang): -standing, legs apart, torso folded forward. -arms hanging loose, hands clasping opposite wrists. -head down, hair falling forward. -weight on front leg, back leg extended. -Looking down, then up into camera. Hanging, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Float): -lying on back, arms extended to sides, palms down. -legs lifted and bent, knees drawing toward chest. -arms reaching up to support knees from underneath. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Floating, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Sink): -seated, legs extended, feet flexed. -torso folding forward, chest on thighs. -arms wrapped around legs, hands clasping ankles. -head down, forehead on shins. -Looking down, not at camera. Sinking, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Rise): -standing, legs together, arms extended overhead. -torso arching backward, hips pushed forward. -arms reaching back, hands clasped or fingers interlaced. -head tilted back, neck stretched. -Looking upward, not at camera. Rising, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Fall): -lying on back, arms extended overhead. -legs lifted and spread wide, knees straight. -arms reaching up to grasp inner thighs. -hips grounded, lower back flat. -head centered, chin level. -Looking directly into camera. Falling, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Turn): -standing, one leg lifted and bent, foot pressed on inner thigh. -arms extended to sides, palms open. -torso upright, spine long. -head centered, chin level. -Looking directly into camera. Turning, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Bend): -standing, legs apart, torso folded to one side. -arm of same side reaching down leg, hand grasping calf or ankle. -other arm extended overhead, creating long arc. -head turned to look up at overhead hand. -Looking up, then into camera. Bending, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Twist Standing): -standing, legs apart. -torso twisted deeply, arms extended to sides. -head turned to look over forward shoulder. -hips squared, lower body stable. -Looking back into camera. Twisting, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Reach): -standing, one leg extended forward, foot pointed. -arms extended forward, hands reaching toward foot. -torso folded over leg, back flat. -head aligned with spine, gaze at toes. -Looking at toes, then into camera. Reaching, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Press): -standing against wall, back flat. -arms extended overhead, palms against wall. -legs straight, feet apart. -head tilted back, neck stretched. -Looking upward, then into camera. Pressing, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Gather): -lying on stomach, legs together. -arms reaching back, hands clasping lower back or buttocks. -chest and shoulders lifted, back arched. -head turned to side, cheek on shoulder. -Looking directly into camera. Gathering, cradled. -Perfect anatomy, realistic - ---- - -# The Cradle (Part): -lying on back, legs lifted and spread wide. -arms reaching down to grasp inner thighs. -hips lifted, pelvis tilted. -head lifted, looking down the body. -Looking directly into camera. Parting, cradled. -Perfect anatomy, realistic diff --git a/tour-comfy/pose_llm_api.py b/tour-comfy/pose_llm_api.py index 798ac46..b342269 100755 --- a/tour-comfy/pose_llm_api.py +++ b/tour-comfy/pose_llm_api.py @@ -53,7 +53,7 @@ _MISTRAL_TEMPLATE = ( MODEL_ID = os.environ.get("MODEL_ID", "dphn/Dolphin3.0-Mistral-24B") # For 24B fp16 (~48GB): split across 32GB VRAM + CPU RAM via device_map="auto". # Override with MAX_GPU_MEM / MAX_CPU_MEM env vars if needed. -MAX_GPU_MEM = os.environ.get("MAX_GPU_MEM", "30GiB") # leave ~2GB headroom +MAX_GPU_MEM = os.environ.get("MAX_GPU_MEM", "27GiB") # 32GiB total - 4GiB sys - 1GiB headroom MAX_CPU_MEM = os.environ.get("MAX_CPU_MEM", "100GiB") # 113GB available state: dict = {} diff --git a/tour-comfy/poses.md b/tour-comfy/poses.md index d034887..2e96b9f 100644 --- a/tour-comfy/poses.md +++ b/tour-comfy/poses.md @@ -49,7 +49,7 @@ high quality, full-nude-body, female, masterpiece, realistic, photo, detailed sk high quality, full-nude-body, female, masterpiece, realistic, photo, cinematic lighting, dramatic shadows, sharp focus, transparent background -# The Bride: +# Bride: Lying flat on your back, bending one leg and bringing it up to the chest, the other leg stretched out. Place one arm under your head, and the other arm stretched out to the side. @@ -57,7 +57,7 @@ Capture the curves and smooth lines of the body, focusing on the subtle curves o Head on top. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The draak (beta): +# draak (beta): Lie on your back with your arms stretched out to the sides. Looking into the camera. @@ -65,7 +65,7 @@ Bring your legs up to your chest, slightly lift for invitation, and cross one le Lean up to balance on your elbows, showcasing the extended arms and strong legs. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Butterfly (Closed): +# Butterfly (Closed): lying flat on back in reclined butterfly pose. soles of feet pressed together, knees bent and falling open outward to sides, hips fully open. @@ -75,7 +75,8 @@ head resting on top, looking directly into camera. Serene, open. Perfect anatomy, realistic -# The Butterfly (Open): +# Butterfly (Open): + Lying flat onyour back in a reclined butterfly pose. Soles of feet pressed firmly together, knees relaxed and falling open outward to the sides, hips fully open. Arms resting loosely overhead or atyour sides. @@ -86,13 +87,12 @@ Perfect anatomy, realistic lying flat on back in reclined butterfly pose. Soles of feet pressed together, knees relaxed and falling open outward to sides, hips fully open. - Arms resting loosely overhead or at sides. Looking directly into camera. Serene, open. Perfect anatomy, realistic -# The Sleeper: +# Sleeper: Lie on your side with your upper arm behind your head and your lower arm stretched out. The upper leg bent, while the lower leg is straight. @@ -100,7 +100,7 @@ Lean slightly into the pose, showcasing the straight line of the lower leg and t Highlight the soft, supple curves of the torso and hips. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Backbend: +# Backbend: Lie on your back with your knees bent and your feet touching. Lift your feet off the ground and arch your back. @@ -108,7 +108,7 @@ Look towards the ceiling with a seductive expression, showcasing the arched back Focus on the graceful lines of the body and the tension in the back and legs. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Lotus: +# Lotus: Lie on your back with your knees bent and your feet touching. Bring your legs up to your chest and cross them. @@ -131,14 +131,11 @@ Anatomically precise, high detail. # S-Curve (beta): Kneel on all fours in an asymmetrical S-curve pose. - One side grounded and stable — hand and knee firmly planted, muscles taut. - Back arched upward, hips lowered, head lifted looking into camera. - Perfect anatomy, realistic. -# The kneele (beta): +# kneele (beta): You kneel on all your fours with your hands planted firmly under your shoulders and your knees under your hips, creating a powerful, inviting stance. Her back is arched slightly, lifting your head towards the ceiling and drawing attention to your exposed back and shoulders. @@ -150,7 +147,7 @@ This creates a sultry, enticing posture that highlights your femininity and powe The pose is realistic and energetic, with a clear focus on the model's sexuality and strength. The lifted arm and leg are the focal points of the image, drawing the viewer's eye and creating a sense of movement and action within the still pose. -# The Prayer: +# Prayer: Lie on your back with your arms stretched out to the sides. Bring your legs up to your chest and cross them. @@ -159,7 +156,7 @@ Lean slightly into the pose, showcasing the cross-legged position and the symmet Highlight the smooth curves of the body and the intricate pose. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Celestial (beta): +# Celestial (beta): Looking into the camera with strong eye contact and a serene, confident expression. Lie on your back with your arms stretched out to the sides. @@ -168,7 +165,7 @@ Bend your knees and clasp your hands around your feet. Lean back slightly into the pose, showcasing the bend in the knees and the clasp around the feet. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Offering: +# Offering: kneeling upright, sitting back on heels. arms extended straight overhead, hands open and reaching upward. @@ -178,7 +175,7 @@ Looking directly into camera. Devotional, open. Perfect anatomy, realistic -# The Reclining Twist: +# Reclining Twist: lying on side. top leg bent and raised, foot resting on ground in front of bottom leg. @@ -189,7 +186,7 @@ Looking directly into camera. Relaxed, composed. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Bridge: +# Bridge: lying on back, feet flat on ground, knees bent. hips lifted high off the ground, forming an arch with the body. @@ -199,7 +196,7 @@ Looking directly into camera. Strong, open. Perfect anatomy, realistic -# The Lotus (recline): +# Lotus (recline): lying flat on back. legs crossed in lotus position, knees falling open to sides. @@ -209,7 +206,7 @@ Looking directly into camera. Centered, tranquil. Perfect anatomy, realistic -# The Archer: +# Archer: lying on side. top leg bent and drawn up toward chest, foot planted in front of bottom leg. @@ -219,7 +216,7 @@ Looking directly into camera. Tense, focused. Perfect anatomy, realistic -# The Crescent: +# Crescent: standing or kneeling, one knee on ground, opposite foot planted forward. arms extended overhead, hands clasped or reaching. @@ -229,7 +226,7 @@ Looking upward or directly into camera. Expansive, vulnerable. Perfect anatomy, realistic -# The Cocoon: +# Cocoon: lying on side, knees drawn up tightly to chest. arms wrapped around legs, hands clasping shins or ankles. @@ -239,7 +236,7 @@ Looking directly into camera. Protected, intimate. Perfect anatomy, realistic -# The Swan Dive: +# Swan Dive: lying on stomach, arms extended forward along the ground. chest and shoulders lifted, back arched deeply. @@ -249,7 +246,7 @@ Looking directly into camera. Graceful, soaring. Perfect anatomy, realistic -# The Suspended Split: +# Suspended Split: lying on back. legs lifted and spread wide in a full split, perpendicular to the body. @@ -259,7 +256,7 @@ Looking directly into camera. Flexible, exposed. Perfect anatomy, realistic -# The Embrace: +# Embrace: seated, legs extended straight forward, feet flexed. torso folded forward over the legs, chest resting on thighs. @@ -269,7 +266,7 @@ Looking directly into camera. Intimate, yielding. Perfect anatomy, realistic -# The Cascade: +# Cascade: seated, one leg extended straight forward, the other bent with foot tucked to inner thigh. torso twisted toward the extended leg, folding forward over it. @@ -279,7 +276,7 @@ Looking directly into camera. Fluid, surrendered. Perfect anatomy, realistic -# The Flame: +# Flame: standing on one leg, opposite leg lifted and bent, foot pressed against inner thigh. arms raised overhead, hands pressed together. @@ -289,7 +286,7 @@ Looking directly into camera. Poised, burning. Perfect anatomy, realistic -# The Sphinx (Inverted): +# Sphinx (Inverted): lying on stomach, propped up on forearms. elbows under shoulders, chest lifted, back arched deeply. @@ -299,7 +296,7 @@ Looking down, not at camera. Contemplative, submissive. Perfect anatomy, realistic -# The Unclasp: +# Unclasp: standing, back partially turned toward camera over one shoulder. arms reaching behind, hands at the back working to unhook a bra clasp. @@ -309,7 +306,7 @@ Looking back over the shoulder into camera. Inviting, conspiratorial. Perfect anatomy, realistic -# The Strap Slide: +# Strap Slide: standing, one strap of a slip or camisole slid off the shoulder. arm relaxed at the side, letting the fabric hang loose on one side. @@ -319,7 +316,7 @@ Looking directly into camera. Seductive, slow. Perfect anatomy, realistic -# The Lace Pull: +# Lace Pull: lying on back, knees bent, feet flat on the ground. hands at the hips, fingers hooked into the waistband of lace panties. @@ -329,7 +326,7 @@ Looking directly into camera. Vulnerable, exposed. Perfect anatomy, realistic -# The Corset Lace: +# Corset Lace: standing, back to camera, head turned to look over shoulder. arms reaching behind to pull the laces of a corset tighter. @@ -339,7 +336,7 @@ Looking back into camera. Restricted, breathless. Perfect anatomy, realistic -# The Garter Roll (beta): +# Garter Roll (beta): lying on stomach, propped on elbows. legs bent at the knees, feet kicked up and crossed in the air. @@ -349,7 +346,7 @@ Looking back over the shoulder into camera. Playful, coquettish. Perfect anatomy, realistic -# The Hook: +# Hook: standing facing camera, one leg crossed over the other at the ankle. both hands at the center of the chest, fingers working the hook-and-eye closure of a bodysuit or teddy. @@ -359,7 +356,7 @@ Looking up into camera. Coy, demure. Perfect anatomy, realistic -# The Thigh Band: +# Thigh Band: seated with legs extended forward, torso reclined back on hands. one knee bent, foot flat on the ground, thigh open. @@ -369,7 +366,7 @@ Looking directly into camera. Languid, indulgent. Perfect anatomy, hyper realistic -# The Mirror Check: +# Mirror Check: standing in three-quarter profile, one hand on the hip. other hand smoothing the fabric of a sheer chemise or babydoll down the side of the torso. @@ -379,7 +376,7 @@ Looking to the side, eyes catching the camera in reflection. Self-aware, assessing. Perfect anatomy, hyper realistic -# The Snap: +# Snap: standing, legs apart, hands at the crotch of a bodysuit or teddy. fingers working the snap closures at the gusset. @@ -389,7 +386,7 @@ Looking directly into camera. Direct, unapologetic. Perfect anatomy, hyper realistic -# The Shoulder Drop: +# Shoulder Drop: standing, back to camera. shoulders rolling forward to let the straps of a slip or bra fall down the arms. @@ -400,7 +397,7 @@ Looking back into camera. Revealing, inevitable. Perfect anatomy, realistic -# The Step-In: +# Step-In: standing on one leg, opposite leg lifted, foot stepping into the leg opening of panties or a bodysuit. hands holding the garment open at thigh level. @@ -410,7 +407,7 @@ Looking down, then up into camera with a half-smile. Intimate, domestic. Perfect anatomy, realistic -# The Pearl Strand: +# Pearl Strand: lying on back, knees bent and parted, feet flat on the ground. hands at the neck, fingers working to fasten a pearl necklace or choker. @@ -420,7 +417,7 @@ Looking directly into camera. Elegant, adorned. Perfect anatomy, realistic -# The Glove Tug (beta): +# Glove Tug (beta): seated on the floor, legs tucked to one side. one arm extended, fingers of the opposite hand slowly pulling a long satin or lace glove up the forearm. @@ -430,7 +427,7 @@ Looking at the glove, then into camera. Methodical, sensual. Perfect anatomy, realistic -# The Ribbon Tie: +# Ribbon Tie: standing, legs apart, hands behind the back at the waist. fingers working to tie a satin ribbon or bow at the small of the back. @@ -440,7 +437,7 @@ Looking back into camera. Decorative, bound. Perfect anatomy, realistic -# The Hem Lift: +# Hem Lift: standing, legs crossed at the ankles. both hands at the sides of a short slip or nightgown, fingers pinching the hem. @@ -450,7 +447,7 @@ Looking directly into camera, chin down, eyes up. Provocative, measured. Perfect anatomy, realistic -# The Clasp Front: +# Clasp Front: lying on side, propped on one elbow. free hand at the center of the chest, working the front clasp of a bra. @@ -460,7 +457,7 @@ Looking directly into camera. Anticipatory, breath held. Perfect anatomy, realistic -# The Sash Untie: +# Sash Untie: standing, one hand on the hip. other hand pulling the end of a silk sash or robe tie. @@ -470,7 +467,7 @@ Looking directly into camera. Unwrapping, revelatory. Perfect anatomy, realistic -# The Zipper Pull: +# Zipper Pull: standing in profile, one shoulder dropped toward camera. arm reaching behind the back, fingers finding the pull of a side or back zipper. @@ -480,7 +477,7 @@ Looking back into camera. Mechanical, inevitable. Perfect anatomy, realistic -# The Stocking Peel: +# Stocking Peel: seated, one leg extended, the other bent with foot flat on the ground. hands at the ankle of the extended leg, slowly peeling a stocking downward. @@ -490,7 +487,7 @@ Looking at the leg, then into camera. Unveiling, deliberate. Perfect anatomy, realistic -# The Halter Knot: +# Halter Knot: standing, back to camera, arms raised overhead. hands at the nape of the neck, tying or untying the knot of a halter top. @@ -500,7 +497,7 @@ Looking back over the shoulder into camera. Taut, suspended. Perfect anatomy, realistic -# The Garter Snap: +# Garter Snap: lying on back, one knee bent, foot flat, the other leg extended. hand at the inner thigh, fingers snapping the clasp of a garter to a stocking. @@ -510,7 +507,7 @@ Looking at the hand, then into camera. Precise, functional. Perfect anatomy, realistic -# The Drape: +# Drape: standing, one hand holding a sheer robe or kimono open at the chest. other arm hanging loose at the side. @@ -520,7 +517,7 @@ Looking directly into camera. Framed, theatrical. Perfect anatomy, realistic -# The Fold: +# Fold: seated on the floor, legs spread wide in a straddle. torso folded forward between the legs, chest approaching the ground. @@ -530,7 +527,7 @@ Looking back through the legs into camera. Folded, inverted. Perfect anatomy, realistic -# The Plow: +# Plow: lying on back, legs lifted overhead and lowered behind the head. toes touching or approaching the ground behind the head. @@ -540,7 +537,7 @@ Looking up at the legs, then into camera. Compressed, intense. Perfect anatomy, realistic -# The Mermaid: +# Mermaid: lying on stomach, legs together, feet pointed. arms extended forward, hands clasped. @@ -550,7 +547,7 @@ Looking upward, not at camera. Aquatic, flowing. Perfect anatomy, realistic -# The Scorpion: +# Scorpion: lying on stomach, propped on forearms. legs lifted and bent, knees drawing toward the shoulders. @@ -560,7 +557,7 @@ Looking forward, through the gap between the feet. Contorted, fierce. Perfect anatomy, realistic -# The Wreath: +# Wreath: seated, legs crossed tightly, feet tucked under opposite thighs. arms wrapped around the body, hands clasping opposite shoulders. @@ -570,7 +567,7 @@ Looking directly into camera. Enclosed, self-held. Perfect anatomy, realistic -# The Needle: +# Needle: standing on one leg, torso folded forward at the hip. free leg extended straight back, parallel to the ground. @@ -580,7 +577,7 @@ Looking down, not at camera. Linear, piercing. Perfect anatomy, realistic -# The Cobra: +# Cobra: lying on stomach, hands under shoulders. arms straight, pushing the torso up and back. @@ -591,7 +588,7 @@ Looking upward, not at camera. Rising, alert. Perfect anatomy, realistic -# The Tuck: +# Tuck: seated, knees drawn to chest, feet lifted off the ground. arms wrapped around the shins, hands clasping. @@ -601,7 +598,7 @@ Looking directly into camera. Compact, balanced. Perfect anatomy, realistic -# The Dancer: +# Dancer: standing on one leg, opposite leg lifted high behind, knee bent, foot grasped by the hand of the same side. free arm extended forward for balance. @@ -611,7 +608,7 @@ Looking forward, not directly at camera. Graceful, airborne. Perfect anatomy, realistic -# The Sphynx (Upright): +# Sphynx (Upright): seated with legs extended straight forward. torso leaning back, supported on the hands behind. @@ -622,7 +619,7 @@ Looking upward, not at camera. Regal, exposed. Perfect anatomy, realistic -# The Thread: +# Thread: lying on back, one leg extended straight up. arm of the same side reaching up to grasp the foot or ankle. @@ -633,7 +630,7 @@ Looking at the leg, then into camera. Strung, pulled taut. Perfect anatomy, realistic -# The Anchor: +# Anchor: seated, legs spread wide in a straddle. torso upright, spine long. @@ -644,7 +641,7 @@ Looking directly into camera. Rooted, immovable. Perfect anatomy, realistic -# The Cradle: +# Cradle: lying on back, knees bent and drawn toward the chest. arms reaching through the gap between the legs, hands clasping the outer edges of the feet. @@ -654,7 +651,7 @@ Looking directly into camera. Held, cradled. Perfect anatomy, realistic -# The Pike: +# Pike: seated, legs extended straight forward together, feet flexed. torso folded forward over the legs, chest resting on the thighs. @@ -664,7 +661,7 @@ Looking down, not at camera. Sharp, folded. Perfect anatomy, realistic -# The Wheel: +# Wheel: lying on back, feet flat on ground near the hips, hands flat on ground near the shoulders. hips lifted high, arms and legs straight, body forming an arch. @@ -674,7 +671,7 @@ Looking backward, upside down, into camera. Inverted, expansive. Perfect anatomy, realistic -# The Spiral (beta): +# Spiral (beta): standing, feet apart. torso twisted deeply, one shoulder forward, the other back. @@ -684,7 +681,7 @@ hips squared, lower body stable, upper body rotated. Looking back over the shoulder into camera. Perfect anatomy, natural, realistic -# The Ballerina: +# Ballerina: standing on the toes of one foot, opposite leg extended straight back, lifted high. torso leaning forward, arms extended to the sides in a soft curve. @@ -694,7 +691,7 @@ Looking forward, not directly at camera. Light, elevated. Perfect anatomy, realistic -# The Nest: +# Nest: lying on side, knees drawn up, bottom arm extended under the head. top arm draped over the body, hand resting on the hip or waist. @@ -704,7 +701,7 @@ Looking directly into camera. Resting, nested. Perfect anatomy, realistic -# The Perch: +# Perch: seated with one leg bent, foot flat on the ground, knee raised. other leg extended to the side, foot pointed. @@ -715,7 +712,7 @@ Looking directly into camera. Poised, watchful. Perfect anatomy, realistic -# The Bow (beta): +# Bow (beta): lying on stomach, knees bent, feet lifted toward the head. arms reaching back to grasp the ankles or feet. @@ -725,7 +722,7 @@ Looking upward, not at camera. Tense, arced. Perfect anatomy, realistic -# The Fan: +# Fan: seated, legs spread wide in a straddle. torso upright, spine long. @@ -736,7 +733,7 @@ Looking directly into camera. Open, radiant. Perfect anatomy, realistic -# The Lantern: +# Lantern: kneeling, knees apart, sitting back on the heels. torso upright, spine long. @@ -747,7 +744,7 @@ Looking directly into camera. Illuminated, contained. Perfect anatomy, realistic -# The Compass: +# Compass: seated, one leg extended straight forward. other leg bent, foot placed on the inner thigh of the extended leg. @@ -758,7 +755,7 @@ Looking down, then into camera. Directed, focused. Perfect anatomy, realistic -# The Vessel (beta): +# Vessel (beta): lying on back, knees bent, feet flat on the ground. arms extended overhead, hands clasped. @@ -769,7 +766,7 @@ Looking directly into camera. Receptive, open. Perfect anatomy, realistic -# The Quiver (beta): +# Quiver (beta): lying on stomach, legs together, arms at the sides. torso lifted in a backbend, chest and shoulders arching upward. @@ -780,7 +777,7 @@ Looking upward, not at camera. Stretched body. Perfect anatomy, hyperrealistic -# The Loom: +# Loom: seated, legs extended straight forward, feet flexed. torso upright, spine long. @@ -791,7 +788,7 @@ Looking at the hands, then into camera. Weaving, constructing. Perfect anatomy, realistic -# The Hourglass: +# Hourglass: standing, feet apart, hands on the hips. torso twisted, one shoulder forward, one back. @@ -802,7 +799,7 @@ Looking back into camera. Pinched, exaggerated. Perfect anatomy, realistic -# The Tidal: +# Tidal: lying on side, bottom leg extended straight. top leg lifted high, extended, foot pointed. @@ -813,7 +810,7 @@ Looking at the lifted leg, then into camera. Flowing, stretched. Perfect anatomy, realistic -# The Hinge: +# Hinge: standing, feet together. torso folded forward at the hips, back flat and parallel to the ground. @@ -824,7 +821,7 @@ Looking down, not at camera. Mechanical, precise. Perfect anatomy, realistic -# The Chalice: +# Chalice: lying on back, knees bent and drawn toward the chest. arms wrapped around the legs, hands clasping the shins. @@ -835,7 +832,7 @@ Looking directly into camera. Held, cupped. Perfect anatomy, realistic -# The Kite: +# Kite: lying on stomach, arms extended forward. legs lifted off the ground, spread wide in a V-shape. @@ -846,7 +843,7 @@ Looking forward, not at camera. Aerial, lifted. Perfect anatomy, realistic -# The Rung: +# Rung: seated, legs extended straight forward. torso leaning back, supported on the hands behind. @@ -857,7 +854,7 @@ Looking at the toes, then into camera. Suspended, horizontal. Perfect anatomy, realistic -# The Vault: +# Vault: standing, legs apart, arms extended overhead. torso arched backward deeply, hips pushed forward. @@ -868,7 +865,7 @@ Arched, soaring. Perfect anatomy, realistic --- -# The Pulse: +# Pulse: lying on back, knees bent and parted, feet flat on the ground. one hand resting on the lower abdomen, fingers spread, pressing gently. @@ -881,7 +878,7 @@ Perfect anatomy, realistic --- -# The Trace: +# Trace: standing, one hand at the collarbone, fingers trailing slowly down the sternum. other hand resting on the hip. @@ -892,7 +889,7 @@ Sensation, discovery. Perfect anatomy, realistic --- -# The Splay: +# Splay: lying on back, legs spread wide, knees bent, feet flat on the ground. arms extended overhead, hands clasping the wrists. @@ -903,7 +900,7 @@ Open, offered. Perfect anatomy, realistic --- -# The Clutch: +# Clutch: seated, legs tucked under, sitting back on the heels. arms wrapped around the body, one hand at the breast, the other at the hip. @@ -914,7 +911,7 @@ Self-held, protective. Perfect anatomy, realistic --- -# The Drift: +# Drift: lying on side, bottom leg extended straight. top leg bent and drawn forward, knee resting near the chest. @@ -926,7 +923,7 @@ Drifting, languid. Perfect anatomy, realistic --- -# The Arch: +# Arch: lying on back, arms extended overhead along the ground. legs lifted and bent, knees drawing toward the chest. @@ -938,7 +935,7 @@ Curved, lifted. Perfect anatomy, realistic --- -# The Press: +# Press: standing against a wall, back flat, one leg bent with foot planted against the wall. arms extended overhead, palms flat against the wall. @@ -949,7 +946,7 @@ Pinned, pressed. Perfect anatomy, realistic --- -# The Gather: +# Gather: lying on stomach, arms at the sides. legs bent, knees drawing up toward the chest. @@ -961,7 +958,7 @@ Gathered, held. Perfect anatomy, realistic --- -# The Part: +# Part: lying on back, legs lifted and spread wide, knees bent. arms reaching down to grasp the inner thighs or behind the knees. @@ -972,7 +969,7 @@ Parted, exposed. Perfect anatomy, realistic --- -# The Circle: +# Circle: standing, one leg lifted and bent, foot pressed against the opposite inner thigh. arms extended to the sides, palms open. @@ -983,7 +980,7 @@ Balanced, rotating. Perfect anatomy, realistic --- -# The Drip: +# Drip: standing, legs apart, torso folded forward at the hips. arms hanging loose toward the ground, fingers trailing. @@ -994,7 +991,7 @@ Inverted, dripping. Perfect anatomy, realistic --- -# The Clasp: +# Clasp: lying on back, knees bent, feet flat on the ground. arms reaching down between the legs, hands clasped behind the thighs. @@ -1005,7 +1002,7 @@ Clasped, lifted. Perfect anatomy, realistic --- -# The Sigh: +# Sigh: seated, legs extended forward, feet flexed. torso leaning back, supported on the hands. @@ -1016,7 +1013,7 @@ Released, breathless. Perfect anatomy, realistic --- -# The Tension: +# Tension: standing, legs apart, arms extended overhead. hands clasped, arms pulling in opposite directions as if stretching. @@ -1027,7 +1024,7 @@ Stretched, taut. Perfect anatomy, realistic --- -# The Pool: +# Pool: lying on back, arms extended to the sides, palms up. legs spread wide, knees bent, feet flat on the ground. @@ -1038,7 +1035,7 @@ Spread, pooled. Perfect anatomy, realistic --- -# The Knot: +# Knot: seated, legs crossed tightly, feet tucked under opposite thighs. arms wrapped around the body, hands clasping opposite shoulders. @@ -1049,7 +1046,7 @@ Tied, compressed. Perfect anatomy, realistic --- -# The Reach: +# Reach: standing, one leg extended forward, foot pointed. arms extended forward, hands reaching toward the extended foot. @@ -1060,7 +1057,7 @@ Extended, reaching. Perfect anatomy, realistic --- -# The Waver: +# Waver: standing, legs together, arms extended overhead. torso swaying to one side, creating a C-curve. @@ -1071,7 +1068,7 @@ Swaying, wavering. Perfect anatomy, realistic --- -# The Hollow: +# Hollow: lying on back, arms extended overhead along the ground. legs lifted straight up, fully extended. @@ -1082,7 +1079,7 @@ Hollow, suspended. Perfect anatomy, realistic --- -# The Garter (Refined): +# Garter (Refined): seated on the edge of a surface, legs slightly parted. right hand at the right thigh, fingers hooking into the top of a thigh-high stocking or garter strap. @@ -1094,7 +1091,7 @@ Teasing, anticipatory. Perfect anatomy, realistic, trying on erotic lingerie --- -# The Sling (Refined): +# Sling (Refined): lying on back, right knee drawn to the chest. right arm reaching between the legs to grasp the right shin. @@ -1106,7 +1103,7 @@ Held, supported. Perfect anatomy, realistic --- -# The Sickle (Refined): +# Sickle (Refined): lying on back, legs lifted overhead. legs bent at the knees, then extending and lowering toward the ground behind the head. @@ -1118,7 +1115,7 @@ Curved, hooked. Perfect anatomy, realistic --- -# The Bite: +# Bite: close-up portrait, head and shoulders only. lower lip caught between the teeth, biting gently. @@ -1130,7 +1127,7 @@ Hungry, restrained. Perfect anatomy, realistic --- -# The Sigh (Facial): +# Sigh (Facial): close-up portrait, head tilted back, chin lifted. eyes closed, lips parted in a soft exhale. @@ -1141,7 +1138,7 @@ Released, breathless. Perfect anatomy, realistic --- -# The Smirk: +# Smirk: close-up portrait, three-quarter angle. one corner of the mouth lifted in a half-smile. @@ -1153,7 +1150,7 @@ Knowing, teasing. Perfect anatomy, realistic --- -# The Gasp: +# Gasp: close-up portrait, head thrown back slightly. mouth open in a soft gasp, lips parted. @@ -1165,7 +1162,7 @@ Surprised, caught. Perfect anatomy, realistic --- -# The Pout: +# Pout: close-up portrait, lower lip pushed forward slightly. eyes looking up through the lashes, head tilted down. @@ -1176,7 +1173,7 @@ Demanding, petulant. Perfect anatomy, realistic --- -# The Flutter: +# Flutter: close-up portrait, eyes closed, lashes resting on the cheeks. head tilted to one side, lips slightly parted. @@ -1187,7 +1184,7 @@ Anticipating, trembling. Perfect anatomy, realistic --- -# The Stare: +# Stare: close-up portrait, face square to camera. eyes wide open, unblinking, intense gaze fixed directly into the lens. @@ -1198,7 +1195,7 @@ Unflinching, commanding. Perfect anatomy, realistic --- -# The Lick: +# Lick: close-up portrait, tongue extended, tip touching the center of the upper lip. eyes looking directly into camera, half-lidded. @@ -1209,7 +1206,7 @@ Tasting, deliberate. Perfect anatomy, realistic --- -# The Bound Wrists: +# Bound Wrists: kneeling upright, knees apart, sitting back on the heels. wrists bound together in front of the body with a silk ribbon or rope. @@ -1221,7 +1218,7 @@ Submissive, restrained. Perfect anatomy, realistic --- -# The Collar Leash: +# Collar Leash: kneeling upright, knees together, sitting back on the heels. neck encircled by a thin collar or choker. @@ -1233,7 +1230,7 @@ Leashed, controlled. Perfect anatomy, realistic --- -# The Shibari Chest: +# Shibari Chest: standing, arms at the sides. rope wrapped in a diamond pattern across the chest and torso, binding the arms to the body. @@ -1245,7 +1242,7 @@ Bound, displayed. Perfect anatomy, realistic --- -# The Ankle Cuff: +# Ankle Cuff: lying on back, legs extended straight up toward the ceiling. ankles bound together with a leather cuff or silk band. @@ -1257,7 +1254,7 @@ Elevated, secured. Perfect anatomy, realistic --- -# The Wrists Overhead: +# Wrists Overhead: standing, arms extended straight overhead. wrists bound together, arms pulled upward by an implied anchor. @@ -1269,7 +1266,7 @@ Stretched, suspended. Perfect anatomy, realistic --- -# The Thigh Bind: +# Thigh Bind: lying on side, bottom leg extended straight. top leg bent at the knee, thigh bound to the calf with a silk ribbon. @@ -1281,7 +1278,7 @@ Compressed, bound. Perfect anatomy, realistic --- -# The Blindfold: +# Blindfold: kneeling upright, knees apart, sitting back on the heels. eyes covered by a silk blindfold, fabric tied at the back of the head. @@ -1293,7 +1290,7 @@ Sensory, deprived. Perfect anatomy, realistic --- -# The Rope Harness: +# Rope Harness: standing, legs apart. rope wrapped in a harness pattern around the hips and between the legs, creating a web across the pelvis. @@ -1308,7 +1305,6 @@ Perfect anatomy, realistic # Implied Restraint You are lying on your back on a bed. - Arms stretched out to the sides, wrists resting softly, fingers slightly curled. No visible restraints but body language suggesting stillness. Legs straight, slightly parted. @@ -1322,11 +1318,8 @@ realistic # Wrists Together, Loose You are lying on your back. - Arms raised above your head, wrists held together loosely as if by your own will. - Fingers relaxed, palms facing each other. - Legs drawn up slightly, knees together. Looking directly into the camera. Soft natural light. @@ -1338,10 +1331,8 @@ realistic You are lying on your back. Arms stretched to the sides, a silk ribbon loosely draped across each wrist, trailing off-frame, not taut. - Legs bent, ankles crossed. One ribbon visible near an ankle. - Looking into the camera with a knowing, slightly vulnerable expression. Soft, warm lighting. Subtle introduction of prop. @@ -1351,7 +1342,6 @@ realistic # Wrists Bound Above Head You are lying on your back on a bed. - Both arms pulled above your head, wrists visibly bound together with soft silk or fabric. Ribbon tied to a headboard or held off-frame. Tension visible in your extended arms but face remains calm. @@ -1364,9 +1354,7 @@ realistic # Spread-Eagle Begins You are lying on your back, arms stretched wide to both sides, each wrist bound with silk to the bed frame. - Ribbons visibly taut. - Legs spread slightly, one ankle loosely bound, the other free. Chest lifted slightly with breath. Looking into the camera with a mix of vulnerability and invitation. @@ -1377,7 +1365,6 @@ realistic # Full Spread Restraint You are lying on your back, fully spread-eagle. - Both wrists bound to the sides of the bed, ribbons taut against the pull of your arms. Both ankles bound wide to the corners of the bed. Body stretched, back slightly arched. @@ -1390,7 +1377,6 @@ realistic # Knees Pulled Back You are lying on your back. - Wrists bound above your head to a central point. Legs drawn up, knees pulled toward chest and held apart by silk ties running from ankles to the sides of the bed. Hips lifted slightly. @@ -1403,7 +1389,6 @@ realistic # Crossed-Ankle Hogtie Suggestion You are lying on your stomach on a bed. - Arms stretched behind your back, wrists crossed and bound with silk at the small of your back. Ankles also crossed and bound, a silk cord running from ankles to wrists, pulling your body into a gentle arch. Head turned to the side, cheek resting on the bed, eyes looking into the camera. @@ -1415,7 +1400,6 @@ realistic # Wrists Behind Back You are seated on a simple wooden chair. - Arms pulled behind your back, wrists cuffed together with polished metal shackles at the small of your back. Shoulders rolled back, posture forced upright by the restraint. Legs together, ankles bound to the chair legs with matching metal cuffs. @@ -1428,7 +1412,6 @@ realistic # Arms Overhead to Chair Back You are seated on a chair, torso leaning forward slightly. - Arms stretched up and behind her, wrists bound high on the backrest of the chair, pulling your shoulder blades together. Ankles cuffed wide to each front chair leg. Back arched from the tension. @@ -1441,7 +1424,6 @@ realistic # Straddling, Bound to Chair Back You are straddling a chair backwards, facing the camera. - Arms wrapped around the chair back, wrists cuffed together on the far side. Chest pressed against the wood. Ankles cuffed to the back chair legs, knees spread by the seat width. @@ -1459,7 +1441,6 @@ Body curled forward, forehead nearly touching the ground. Hair falling over your face, one eye visible looking toward the camera. Heavy metal cuffs and short chain connecting all four limbs. Bare industrial setting. -Harsh spotlight. The most physically restrictive body fold. Artistic captivity photography. realistic @@ -1467,16 +1448,11 @@ realistic # Spreader Bar Between Ankles you standing in black void. - Arms pulled above your head, wrists shackled to a metal ring bolted high on the wall. - Ankles cuffed wide apart to a steel spreader bar, legs forced open. - Body stretched long, standing on tiptoes slightly from the upward pull. - Cold metallic tones. Industrial, stark lighting. - Restrained architectural body lines. you are looking into the camera and keeping facial characteristics as reference photo with an expression of endurance, Realistic, anatomically precise @@ -1513,7 +1489,6 @@ Ankles cuffed wide to floor rings behind her. Torso draped over the cold metal, back curved downward, completely exposed and helpless. Head turned sideways, cheek nearly touching the bar, eyes looking toward the camera. Steam or cold atmosphere. -Dungeon lighting. One of the most vulnerable restraint configurations. realistic @@ -1569,7 +1544,6 @@ Thigh bands pulling your legs slightly apart, bolted to the side bars. Every major joint controlled. Body floating immobile within the steel rectangle. Looking into the camera with an expression of total surrender. -Cold dungeon lighting, steel reflections. The most absolute standing restraint. realistic @@ -1582,7 +1556,6 @@ Body hanging fully extended, hair sweeping the floor. A steel waist belt chained to a floor ring, preventing any sway. Fully inverted, utterly helpless. Camera positioned low, looking up toward your face. -Dark industrial setting with a single harsh light cone. Extreme artistic restraint. realistic @@ -1612,7 +1585,6 @@ Waist pushed against a steel support, hips immobilized. Body folded at ninety degrees, completely exposed from behind, face visible from the front. Eyes looking up toward the camera positioned low in front of her. Rusted or oiled steel texture. -Harsh spotlight. Medieval-severe restraint aesthetic, utterly dehumanizing in its mechanical simplicity. realistic @@ -1627,7 +1599,6 @@ She cannot stand fully, cannot sit, cannot turn. Fingers gripping the bars. Face pressed between two vertical bars, eyes looking out at the camera. The cage itself becomes the restraint device. -Dungeon lighting, bars casting shadows across your body. Maximum confinement. realistic @@ -1675,7 +1646,7 @@ Brutalist industrial setting, single harsh light. Total body-to-object fusion restraint. realistic -# The Steel Cruciform, Fully Enclosed +# Steel Cruciform, Fully Enclosed you locked into a massive steel cruciform structure. Wrists shackled into recessed steel blocks at the ends of the horizontal beam, fingers trapped. @@ -1688,11 +1659,10 @@ A steel bar running vertically between your legs, bolted to the waist corset and Metal plates bolted over your upper arms and thighs. Nearly every inch of your body in contact with unyielding steel. Eyes visible through the gaps, looking at the camera. -Extreme industrial lighting, sparks or steam. The absolute maximum restraint — the body as a component of the machine. realistic -# The Iron Maiden — Opened Shell Restraint +# Iron Maiden — Opened Shell Restraint you standing inside an opened iron maiden device. The heavy steel door swung wide, revealing the interior lined with blunt metal nubs and contour-fitted restraints. @@ -1706,7 +1676,7 @@ Dark Gothic chamber, torchlight flickering. Medieval infernal restraint, the threat of impalement held in suspension. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Brazen Bull — Interior Restraint +# Brazen Bull — Interior Restraint you secured inside the hollow brass interior of a brazen bull device. The massive bronze bull shaped chamber opened along its side hatch, revealing your curled inside. @@ -1720,7 +1690,7 @@ Hellenistic infernal restraint, the body made offering inside the sacrificial ma Sweat on skin catching bronze reflections. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Catherine Wheel — Bound to the Spokes +# Catherine Wheel — Bound to the Spokes you bound to a massive wooden-and-steel breaking wheel mounted vertically on an axle. Wrists lashed with iron cuffs to the outer rim at the ten and two positions. @@ -1733,7 +1703,7 @@ Dark torture chamber, implements on walls. Medieval infernal restraint, the body readied for the wheel's turning and the iron bar's work. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Judas Cradle — Suspended Above +# Judas Cradle — Suspended Above you suspended in a harness above a pyramidal wooden Judas cradle device. Wrists bound behind your back with iron shackles chained to a ceiling pulley. @@ -1745,7 +1715,7 @@ Dark stone chamber, single beam of light. The infernal device as imminent threat, restraint as the pause before descent. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Iron Spider — Multi-Arm Mechanical Restraint +# Iron Spider — Multi-Arm Mechanical Restraint you trapped within an articulated iron spider device. A central steel harness locked around your torso, bolted to a vertical stand. @@ -1759,7 +1729,7 @@ Steampunk-infernal fusion. The body as prey in a mechanical predator's grip. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Heretics Fork — Neck-to-Waist Immobilization +# Heretics Fork — Neck-to-Waist Immobilization you restrained with a steel heretic's fork device. A rigid iron bar with a two-pronged fork at each end, one fork pressed beneath your chin, the other pressed against your sternum just above the breasts. @@ -1773,7 +1743,7 @@ Camera at your level. Inquisitorial infernal restraint, torment through enforced stillness. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Scavengers Daughter — Compressive Iron Hoop +# Scavengers Daughter — Compressive Iron Hoop you compressed into a scavenger's daughter device. A heavy iron hoop forcing your body into a tight crouching ball. @@ -1787,29 +1757,21 @@ One eye visible between your knees and the iron. Tudor infernal restraint, the body crushed into itself by the device's geometry. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Pear of Anguish — Internally Threatened +# Pear of Anguish — Internally Threatened you restrained on your back on a slanted wooden board in a black void. - Wrists shackled above your head to the top of the board. - Ankles shackled wide to the bottom corners. - Knees bent and held apart by an iron spreader bar. - An iron pear device — a segmented metal bulb with a screw mechanism — rests on a small table beside you, its key protruding, glinting in the light. - The device is not inserted but its presence is the focal threat. You look at it, then at the camera. - The restraint is the board; the infernal element is the pear waiting beside you. - Cold chamber lighting. - The body offered to the device, the pause before activation. you keep facial characteristics as reference photo, Realistic, anatomically precise -# The Breaking Rack — Stretched Horizontal +# Breaking Rack — Stretched Horizontal you stretched fully on a wooden breaking rack. Wrists locked into leather-and-iron cuffs attached to the roller at the head of the rack, arms pulled taut overhead. @@ -1823,7 +1785,7 @@ Stone walls, torches. The ultimate medieval infernal restraint — the rack as both device and architecture of the body's limits. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Iron Chair of Complicity — Infernally Throned +# Iron Chair of Complicity — Infernally Throned you seated upon a heavy iron throne covered in blunt pyramidal studs across the seat, backrest, and armrests. Wrists locked to the studded armrests with iron cuffs, palms pressing into the metal points. @@ -1844,7 +1806,6 @@ Ankles locked into identical flush cuffs, legs spread straight. A single thin steel band across the waist, bolted through the slab. No other details. Body stark against the black. -Studio lighting, cold white. Steel and skin only. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise @@ -1870,7 +1831,6 @@ Ankles cuffed together around the base of the post. A thin steel band circling your waist and the post. Body pressed against cold metal, stretched long. Black void all around. -Single key light from one side. Elemental composition — one post, one body, three restraints. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise @@ -1906,7 +1866,6 @@ Body forming a clean vertical line between the two bars. Waist cinched with a thin steel band, no connection to anything. Minimalist industrial hardware. Body taut, stretched between two steel lines. -Studio lighting. Graphic, architectural. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise @@ -1919,7 +1878,6 @@ Toes barely touching nothing. Three points of tension — wrists up, neck down, ankles up. Body as tensioned cable. Perfect black background. -Cold light from above. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise # Single Steel Band — Total Body Wrap @@ -1946,7 +1904,7 @@ High-contrast black and white lighting. Absolute minimalist restraint. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise -# The Cube — Six-Sided Steel Cage Minimalism +# Cube — Six-Sided Steel Cage Minimalism you enclosed within a perfectly minimalist steel cube floating in black void. The cube is constructed of thin square-section steel tubing, edges only, no panels — an open wireframe. @@ -1964,18 +1922,12 @@ you are looking into the camera and keeping facial characteristics as reference # Single Steel Line — Full Body Chain you standing in black void. - A single continuous polished steel chain wrapping your body from ankles to shoulders — circling ankles, knees, thighs, waist, ribs, upper arms, and wrists behind your back. - One seamless line of restraint holding your perfectly vertical. - No floor, no anchor points. - Body and chain suspended in darkness. - Cold studio light. Steel and skin. - Absolute purity of form. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise @@ -2044,39 +1996,25 @@ you are looking into the camera and keeping facial characteristics as reference # Single Point Suspension — Total Tension You are suspended from a single steel point high in black void. - A minimalist steel harness — thin bands at wrists, elbows, waist, knees, and ankles — all converging to a single master ring above your head via clean steel cables. - Body pulled upward into a taut, straight vertical line, toes pointed down. - Every limb drawn to the single point, body unified in tension. - Head slightly back. Soft light on skin, hard glint on the convergence point above. - Restraint as singular geometry — all force to one origin. you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise # Steel Ribcage — External Skeleton You are encased in a minimalist steel exoskeleton floating in black void. - Thin steel ribs curving from a central spine bar behind you, wrapping around your torso, waist, thighs, and upper arms. - Not a cage — an external skeleton bolted shut along your front. - Wrists locked to the hip-level ribs. - Ankles locked to the lowest ribs. - Neck enclosed in a thin steel ring at the top of the spine bar. - Body held within a second skeleton of polished steel. - You breathe against it. - Restraint as exoskeletal fusion. - you are looking into the camera and keeping facial characteristics as reference photo, Realistic, anatomically precise # Total Enclosure — Steel Sarcophagus @@ -2490,7 +2428,6 @@ You are seated on a cold steel examination chair in a dark void. Your wrists locked to the armrests with polished steel cuffs. Your ankles locked to the front legs. A thin steel band across your waist, bolted to the chair back. -Overhead examination light focused on you. White tile floor and walls. A medical instrument cabinet with glass front visible behind you. Your posture perfectly upright, legs parted by the chair's width. @@ -2601,7 +2538,6 @@ Only your face is visible through a circular glass window at the front. Inside, your body is fully immobilized — wrists, ankles, waist, chest, and forehead all secured to the capsule's interior with steel cuffs and bands. The capsule can rotate on its pedestal for multi-angle examination. White room, medical monitors beside the capsule displaying vital signs. -Overhead surgical light aimed at the window. Your face framed perfectly in the circular glass, eyes looking out at camera, keeping your facial characteristics as reference photo. One capsule, full internal immobilization. The body as specimen within the examination device. @@ -2616,7 +2552,6 @@ Your wrists cuffed together behind your back, then locked to the stool's central Your ankles cuffed to the base of the stem, knees bent, legs parted by the stool's width. A thin steel band around your waist, bolted to the seat. You cannot stand, cannot slide off, cannot close your legs. -Overhead examination light floating in the void, illuminating only you. Eyes looking at camera, keeping your facial characteristics as reference photo. One stool, four restraints. Seated for gynecological inspection in the abyss. @@ -2630,7 +2565,6 @@ Your wrists cuffed to the ring. Your ankles also cuffed to the same ring, spread wide by its diameter. Your body folded forward, chest toward knees, back arched, posterior elevated. The ring holds all four limbs converged behind you, forcing your thighs apart. -A floating examination light illuminates your exposed dorsal plane. No other material. One ring, four cuffs. Kneeling examination position, utterly open. @@ -2660,7 +2594,6 @@ Your wrists cuffed to the front corners of the wedge, arms stretched forward, pu Your ankles cuffed to the rear corners, knees spread by the wedge's width. A steel band across your lower back, bolted to the wedge, holding you flat. Body bent at the hips, chest pressed to steel, posterior raised. -A floating examination light above you. One wedge, five restraints. Kneeling examination with full dorsal exposure. Eyes turned to the side, cheek against steel, looking at camera, keeping your facial characteristics as reference photo. @@ -2675,7 +2608,6 @@ Your wrists cuffed behind your back to the post. Your ankles cuffed to the post at its base, legs together. The post forces an S-curve — chest forward, waist pulled in, hips pushed forward, legs vertical. You hang in the void on one post, five restraints. -Overhead examination light illuminating your serpentine silhouette. Eyes looking at camera, keeping your facial characteristics as reference photo. One post, total S-curve immobilization. Realistic, anatomically precise. @@ -2688,7 +2620,6 @@ Your wrists cuffed to your ankles, which are locked to stirrups on either side o A steel band around your waist, bolted to the saddle's rear. Your arms pulled down between your spread legs. You sit exposed, unable to close your knees, arms trapped in your own lap. -A floating examination light directly in front of you. Eyes looking at camera, keeping your facial characteristics as reference photo. One saddle, four restraints. Seated gynecological examination position in the void. @@ -2717,7 +2648,6 @@ Your ankles cuffed to the arc's lower rear, pulling your legs back and down. Your body follows the curve — chest descending forward, hips elevated, legs descending behind. An S-curve dictated by the geometry beneath you. A steel band across your mid-back, bolted to the arc, sealing you to the curve. -Floating examination light above your elevated posterior. Eyes looking forward at camera, keeping your facial characteristics as reference photo. One arc, five restraints. The body as a drape over geometry. @@ -2732,7 +2662,6 @@ Your ankles cuffed to the disc's edge. Your waist cinched to the disc with a steel band. Your body folded into a compact seated ball — knees to chest, arms around shins, everything locked to the disc beneath you. You cannot extend, cannot uncurl, cannot leave the disc. -A floating examination light illuminating the compact form. Eyes looking at camera over your knees, keeping your facial characteristics as reference photo. One disc, five restraints. Seated, folded, absolute. @@ -2746,7 +2675,6 @@ The lowest turn cuffs your ankles, spread wide. The middle turn cuffs your wrists behind your back and cinches your waist, pulling your hips forward. The upper turn passes under your arms and across your chest, pulling your shoulders back. Your body follows the helical path — ankles back, hips forward, chest back, head forward — a perfect kneeling S-curve dictated by one continuous spiraling ribbon of steel. -A floating examination light tracing the spiral. Eyes looking at camera, keeping your facial characteristics as reference photo. One helix, five connection points. The body as a thread within the spiral. @@ -2777,7 +2705,6 @@ Your wrists locked into cuffs at each end of the bar, arms stretched wide at sho Your ankles cuffed together by a solid steel bar at the base. One yoke, two bars, one collar. Body held in a T-shape, shoulders bearing the weight of the steel. -Floating examination light from above. Eyes looking at camera, keeping your facial characteristics as reference photo. One piece across the shoulders, maximum upper body immobilization. Realistic, anatomically precise. @@ -2823,20 +2750,6 @@ Eyes looking up at camera, keeping your facial characteristics as reference phot One contoured monolith, total supine immobilization. Realistic, anatomically precise. -# Single Steel Clamshell — Full Body Compression, Standing - -You are standing inside a single solid steel clamshell in black void. -Two polished steel half-cylinders, hinged along one side, closed around your body from neck to ankles. -Your arms pinned to your sides, legs pressed together. -Only your head protrudes from the top. -The shell is seamless when closed, a single bolt locking the two halves at the front. -One shell, one bolt. -You are the soft core of a steel monolith. -Floating examination light illuminating your face. -Eyes looking at camera, keeping your facial characteristics as reference photo. -One shell, total standing encapsulation. -Realistic, anatomically precise. - # Single Steel Crucifix — Wall-Mounted, Seamless You are mounted on a single solid steel crucifix in black void. @@ -2846,41 +2759,10 @@ Your ankles locked into recessed cuffs at the base, also integral. A steel band across your waist, part of the cross itself. No bolts, no seams — the cross is a single casting, and you are part of it. Body spread in an X against the cold steel. -Floating examination light from the front. Eyes looking at camera, keeping your facial characteristics as reference photo. One cross, total spread immobilization. Realistic, anatomically precise. -# Single Steel Sarcophagus — Vertical, Windowed - -You are sealed inside a single solid steel sarcophagus in black void. -One polished steel monolith, standing vertical. -A small circular window at face level. -Inside, the sarcophagus is contoured to your body — recesses for your arms, legs, and torso, all part of the single casting. -No door visible — the front is seamless. -You are simply inside it, fully immobilized by the interior contours. -Your face visible through the glass window, illuminated by a soft light within the sarcophagus itself. -Eyes looking out at camera, keeping your facial characteristics as reference photo. -One monolith, internal total immobilization. -Realistic, anatomically precise. - -# Single Steel Orb — Fetal Encapsulation - -You are encased within a single solid steel orb in black void. -One polished steel sphere, seamless, floating. -The interior is hollow, contoured to hold your body in a tight fetal position — knees to chest, arms wrapped around shins, head tucked down. -No visible opening. -No hinges. -No seams. -You are inside a perfect sphere of steel. -The camera sees you through an impossible cross-section view — the orb transparent only to the lens, revealing your curled form within. -Or perhaps a small circular window at the front reveals one eye, looking out. -Floating examination light reflecting off the sphere's surface. -Eyes visible through the window, keeping your facial characteristics as reference photo. -One sphere, absolute encapsulation. -The most minimal form — a single geometric solid — containing the body in maximum restraint. -Realistic, anatomically precise. - # Single Steel Clamp — Waist and Thighs, Inverted Access You are held inverted in black void by a single solid steel clamp. @@ -2888,7 +2770,6 @@ One polished steel C-shaped device, its upper jaw gripping a steel band around y The clamp holds you upside down, legs bent, knees spread by the clamp's width. Arms dangling below your head, wrists cuffed together. Body suspended head-down, pelvis elevated and fully exposed. -A floating examination light illuminating your inverted form. Total gynecological access. Eyes looking at camera from your inverted position, keeping your facial characteristics as reference photo. One clamp, two bands, full inverted examination access. @@ -2904,7 +2785,6 @@ Your ankles cuffed to the base of the post, knees bent wide. A steel band around your waist, connected to the post by a short rigid arm. The post is a single piece of steel, suggestive in its placement. You sit exposed, thighs spread, pelvis tilted forward. -Floating examination light directly in front. Eyes looking at camera, keeping your facial characteristics as reference photo. One post, three attachments, seated gynecological examination. Realistic, anatomically precise. @@ -2918,7 +2798,6 @@ Your other leg straight, ankle cuffed to a small steel plate beneath you. Your wrists cuffed together behind your back. Your body in an asymmetrical standing split, pelvis open on the elevated side. No frame, no support structure — just one floating stirrup. -A floating examination light focused on your exposed pelvic plane. Eyes looking at camera, keeping your facial characteristics as reference photo. One stirrup, one plate, two cuffs. Asymmetrical gynecological access. @@ -2933,7 +2812,6 @@ Your wrists cuffed together above your head. Your ankles cuffed to the corners of the wedge, knees bent and spread wide. One wedge, two cuffs. Your pelvis is the highest point of your body, fully presented for examination. -A floating examination light directly above your elevated plane. Eyes looking down your own body at camera, keeping your facial characteristics as reference photo. One wedge, maximum gynecological elevation. Realistic, anatomically precise. @@ -2953,22 +2831,21 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One collar, total convergence, full pelvic access. Realistic, anatomically precise. -# Single Steel Monolith — Central Groove, Body Inlay +# Body Inlay You are embedded face-up in a single solid steel monolith in black void. One polished steel block, floating vertically. -A single continuous groove carved into its face — contoured to your body from head to ankles, arms out to the sides, legs spread. +Contoured to your body from head to ankles, arms out to the sides, legs spread. Steel bands integrated into the groove at wrists, waist, and ankles, forged from the same block. No separate parts. The monolith is one piece. You lie within the groove, every contour predetermined, every surface exposed forward. -A floating examination light tracing your form. Full frontal examination access — the monolith is your display frame. Eyes looking at camera, keeping your facial characteristics as reference photo. One block, one groove, total frontal immobilization, maximum examination access. Realistic, anatomically precise. -# Single Steel Shield — Pelvic Plate, Total Denial +# Shield — Pelvic Plate, Total Denial You are standing in black void. A single solid steel shield, polished and seamless, bolted to a wide steel belt locked around your waist. @@ -2978,13 +2855,12 @@ Your ankles cuffed together. The shield is smooth, cold, absolute. Access denied entirely. The concept of examination inverted — the body presents nothing. -A floating examination light reflects off the shield's surface, revealing only steel. Eyes looking at camera, keeping your facial characteristics as reference photo. One shield, one belt, two cuffs. Maximum denial with minimal material. Realistic, anatomically precise. -# Single Steel Codpiece — Locked Cup, Integral Collar +# Codpiece — Locked Cup, Integral Collar You are standing in black void. A single solid steel codpiece, polished and seamless, rising from between your legs and locking into a steel collar around your neck via a rigid central bar running up your sternum. @@ -2994,12 +2870,11 @@ One continuous piece. Your wrists cuffed to the vertical bar at your hips. Your ankles cuffed together. The device denies access from below while the bar and collar frame your torso. -A floating examination light traces the steel from neck to groin. Eyes looking at camera, keeping your facial characteristics as reference photo. One piece from collar to crotch, total denial. Realistic, anatomically precise. -# Single Steel Girdle — High-Waist to Mid-Thigh Enclosure +# Girdle — High-Waist to Mid-Thigh Enclosure You are standing in black void, encased from ribs to mid-thigh in a single solid steel girdle. One polished steel cylinder, seamless, contoured to your waist and hips, tapering at your thighs. @@ -3010,12 +2885,11 @@ Your wrists cuffed together behind your back. Your ankles cuffed together below the girdle. A small steel collar around your neck, unconnected. The girdle is a monolith of denial — the entire pelvic region sealed within a single piece of steel. -A floating examination light circles you, finding no entry, only reflection. Eyes looking at camera, keeping your facial characteristics as reference photo. One cylinder, absolute denial of access. Realistic, anatomically precise. -# Single Steel Lockplate — Anterior Body Bar, Genital Cover +# Lockplate — Anterior Body Bar, Genital Cover You are standing in black void. A single solid steel lockplate running from your sternum to your knees. @@ -3024,12 +2898,11 @@ The plate is locked to your body by a steel collar at the top and steel bands at Your wrists cuffed to the bar at your hips. Your ankles cuffed together behind the plate. The lockplate denies all frontal access — a single steel spine running down your front. -A floating examination light traces the bar's length, illuminating only steel where access is sought. Eyes looking at camera, keeping your facial characteristics as reference photo. One continuous bar-and-shield, total anterior denial. Realistic, anatomically precise. -# Single Steel Seal — Labial Closure, Integral Thigh Bands +# Seal — Labial Closure, Integral Thigh Bands You are standing in black void. A single solid steel seal, small and polished, fitted precisely over your genital region. @@ -3038,7 +2911,6 @@ A single steel chain runs from the seal's center up to a collar around your neck Your wrists cuffed together behind your back. Your ankles cuffed together. The seal is minimal material — one small plate, two bands, one chain, one collar — but the denial is absolute. -The examination light focuses on the seal, finding only smooth steel where access was intended. Eyes looking at camera, keeping your facial characteristics as reference photo. One seal, complete denial through minimal coverage. Realistic, anatomically precise. @@ -3053,12 +2925,11 @@ Your wrists cuffed to the cage's sides. Your ankles cuffed together below. A steel collar around your neck, unconnected. The cage presents the body within, visible through the gaps, but unreachable. -A floating examination light illuminates the body inside the sphere — seen, but denied. Eyes looking at camera over the cage, keeping your facial characteristics as reference photo. One sphere, visual access but physical denial. Realistic, anatomically precise. -# Single Steel Gate — Thigh-to-Thigh Bar, Central Lock +# Gate — Thigh-to-Thigh Bar, Central Lock You are standing in black void. A single solid steel gate bar locked between your thighs. @@ -3068,26 +2939,11 @@ A central lockplate covers your genital region, part of the same casting. Your wrists cuffed together behind your back. Your ankles cuffed together. The bar forces your thighs apart yet denies access between them — the paradox of presentation and denial. -A floating examination light traces the bar from thigh to thigh, finding the lockplate at center. Eyes looking at camera, keeping your facial characteristics as reference photo. One bar, two bands, one lockplate — access spread open and simultaneously sealed. Realistic, anatomically precise. -# Single Steel Dome — Suprapubic Shield, Integral Waistband - -You are standing in black void. -A single solid steel dome, polished and seamless, covering your lower abdomen and pelvic region. -The dome is a perfect hemisphere, its rim integrated into a steel waistband locked around you. -No straps, no chains — one piece. -Your wrists cuffed together behind your back. -Your ankles cuffed together. -The dome presents a smooth convex surface where the body's contours would be — a denial of anatomy itself. -A floating examination light reflects off the dome's polished surface, finding only its own reflection. -Eyes looking at camera over the dome, keeping your facial characteristics as reference photo. -One dome, one band, total denial through geometric abstraction. -Realistic, anatomically precise. - -# Single Steel Tampon — Internal Plug, External Shield, Integral Collar +# Tampon — Internal Plug, External Shield, Integral Collar You are standing in black void. A single solid steel device, polished and seamless. @@ -3097,43 +2953,23 @@ One continuous piece — internal plug, external shield, connecting bar, collar. Your wrists cuffed to the vertical bar at your hips. Your ankles cuffed together. The device occupies and seals simultaneously — internal and external denial in one form. -A floating examination light traces the bar from neck to the point of insertion, finding only steel. Eyes looking at camera, keeping your facial characteristics as reference photo. One piece, internal and external denial, minimal material. Realistic, anatomically precise. -# Single Steel Chastity Monolith — Full Pelvic Encasement, Single Casting - -You are standing in black void. -A single solid steel monolith, polished and seamless, encasing your entire lower body from waist to ankles. -One piece, cast as a single form. -The monolith is a smooth tapered column, wider at the hips, narrowing at the ankles. -Inside, your legs are separated by an integral internal wall, your pelvic region sealed by an integral internal shield — all one piece. -Your wrists cuffed together behind your back, locked to a ring forged into the monolith's rear. -A steel collar around your neck, unconnected. -No seams. -No access. -No possibility of access. -The monolith is denial made material — the entire lower body consumed by one steel form. -A floating examination light circles, finding only the polished surface of the absolute. -Eyes looking at camera above the monolith, keeping your facial characteristics as reference photo. -One casting, total lower body denial, minimal concept — just steel, just denial. -Realistic, anatomically precise. - -# Single Steel Spreader — Ankles Wide, Wrists Free, Pelvis Presented +# Spreader — Ankles Wide, Wrists Free, Pelvis Presented You are standing in black void. A single solid steel spreader bar, polished and seamless, locked between your ankles, forcing your legs wide apart. No other restraints on your lower body. Your pelvis is fully accessible, thighs spread, posture open. Your wrists are cuffed together loosely in front of your waist, hands resting against your lower abdomen — free to move but tethered. -A floating examination light illuminates your exposed pelvic plane. The concept is pure access — one bar, one point of restraint, everything else granted. Eyes looking at camera, keeping your facial characteristics as reference photo. One bar, maximum gynecological access. Realistic, anatomically precise. -# Single Steel Stirrup Frame — Knees Elevated, Supine Presentation +# Stirrup Frame — Knees Elevated, Supine Presentation You are lying on your back in black void. A single solid steel stirrup frame, polished and seamless, floating beneath your legs. @@ -3143,13 +2979,12 @@ Your wrists rest loosely above your head, uncuffed. Your pelvis is tilted upward, fully presented. The frame is one continuous piece of steel. No other restraints. -The concept is invitation — the frame offers your body to the examination light without coercion. -A floating examination light focused directly on your open pelvic plane. +The concept is invitation — the frame offers your body to the examination without coercion. Eyes looking down your body toward camera, keeping your facial characteristics as reference photo. One frame, pure gynecological offering. Realistic, anatomically precise. -# Single Steel Waist Cuff — Arms Behind, Legs Unbound +# Waist Cuff — Arms Behind, Legs Unbound You are standing in black void. A single solid steel waist cuff, polished and seamless, encircling your waist. @@ -3157,13 +2992,12 @@ Your wrists locked to the cuff at the small of your back by two short rigid link Your legs are entirely unbound — free to stand, to shift, to spread. No ankle restraints. The waist cuff holds your arms behind you, thrusting your chest forward and your pelvis slightly ahead, but grants full access to everything below the waist. -A floating examination light at pelvic height. The concept is selective restraint — upper body controlled, lower body offered. Eyes looking at camera, keeping your facial characteristics as reference photo. One cuff, two links, full pelvic access granted. Realistic, anatomically precise. -# Single Steel Knee Spreader — Seated, Wrists Free, Thighs Apart +# Knee Spreader — Seated, Wrists Free, Thighs Apart You are seated in black void on an invisible surface. A single solid steel knee spreader, polished and seamless, locked between your knees, forcing your thighs wide apart. @@ -3171,13 +3005,12 @@ Your wrists are entirely free, resting on your own thighs, fingers near the spre Your ankles are free, feet flat on the void floor. The spreader is one bar, minimal material, maximum access. You sit open, relaxed, the bar doing the work of presentation. -A floating examination light between your spread knees. The concept is self-presentation — the bar assists, but your free hands acknowledge your participation. Eyes looking at camera, keeping your facial characteristics as reference photo. One bar, full seated gynecological access. Realistic, anatomically precise. -# Single Steel Hip Harness — Pelvis Forward, All Limbs Free +# Hip Harness — Pelvis Forward, All Limbs Free You are standing in black void. A single solid steel hip harness, polished and seamless. @@ -3188,12 +3021,11 @@ Your wrists are free. Your ankles are free. The harness frames your pelvis without covering it — the central band passes to the side, leaving your genital region fully exposed. The concept is architectural access — the steel outlines, but does not obstruct. -A floating examination light tracing the harness lines. Eyes looking at camera, keeping your facial characteristics as reference photo. One harness, zero obstruction, full access granted. Realistic, anatomically precise. -# Single Steel Retractor — Labial Presentation, Integral Clamps +# Retractor — Labial Presentation, Integral Clamps You are standing in black void. A single solid steel retractor, polished and seamless. @@ -3204,12 +3036,11 @@ One piece — waistband, arms, central bar, clamps. Your wrists are free at your sides. Your ankles are free. The retractor grants total visual and physical access to your most intimate anatomy. -A floating examination light focused directly on the presented tissue. Eyes looking at camera, keeping your facial characteristics as reference photo. One retractor, absolute gynecological access granted. Realistic, anatomically precise. -# Single Steel Suspension Swing — Pelvis Suspended, Limbs Dangling +# Suspension Swing — Pelvis Suspended, Limbs Dangling You are suspended in black void in a single solid steel swing. One polished steel bar passing behind your knees, chains rising from each end to a single point above. @@ -3217,13 +3048,13 @@ Your body hangs in a seated position, knees bent and spread by the bar's width, Your wrists dangle free. Your ankles dangle free. The swing is one bar, two chains. -You swing gently, body open, the examination light beneath you illuminating your suspended pelvic plane. +You swing gently, body open. The concept is floating access — the body offered from below, no limbs restrained. Eyes looking down at camera beneath you, keeping your facial characteristics as reference photo. One bar, full suspension gynecological access. Realistic, anatomically precise. -# Single Steel Arch — Supine Hyperextension, Pelvis Elevated +# Arch — Supine Hyperextension, Pelvis Elevated You are lying on your back in black void, body draped over a single solid steel arch. One polished steel curve, its apex beneath your lower back, elevating your pelvis above your head and feet. @@ -3234,12 +3065,11 @@ Your legs fall open naturally with the arch's width. The arch is one piece of steel. No cuffs, no bands. The concept is positional access — your body's own geometry, assisted by the arch, presents your pelvis as the highest point. -A floating examination light above your elevated plane. Eyes looking down toward camera, keeping your facial characteristics as reference photo. One arch, full positional gynecological access. Realistic, anatomically precise. -# Single Steel Presentation Ring — Kneeling, Thighs Spread, Hands Free +# Presentation Ring — Kneeling, Thighs Spread, Hands Free You are kneeling in black void. A single solid steel presentation ring, polished and seamless, floating at thigh height. @@ -3248,12 +3078,11 @@ Your knees rest on the void surface, spread wide. Your wrists are free, resting palms-up on your own thighs. The ring frames your open pelvis without touching it — a halo of steel around your presented anatomy. The concept is ceremonial access — the ring designates the examination field, but your body is unbound, offered willingly. -A floating examination light centered within the ring. Eyes looking at camera, keeping your facial characteristics as reference photo. One ring, zero contact, pure symbolic access granted. Realistic, anatomically precise. -# Single Steel Posture Collar — Head High, Arms Behind, Body Open +# Posture Collar — Head High, Arms Behind, Body Open You are standing in black void. A single solid steel posture collar, polished and seamless, tall and rigid around your neck, forcing your chin high and your spine straight. @@ -3262,12 +3091,11 @@ Your legs are entirely free, feet shoulder-width apart. The collar corrects your posture — chest forward, pelvis aligned, body presented in perfect anatomical position for examination. No lower body restraints. The concept is postural access — the collar prepares the body for examination without obstructing any access point. -A floating examination light tracing your vertical form. Eyes looking at camera over the tall collar, keeping your facial characteristics as reference photo. One collar, one chain, full postural examination access granted. Realistic, anatomically precise. -# Single Steel Ratchet — Wrist Cuff with Incremental Tightening +# Ratchet — Wrist Cuff with Incremental Tightening You are in black void. A single solid steel cuff around one wrist, polished and seamless. @@ -3280,7 +3108,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One ratchet, two wrist cuffs, one ankle bar. Realistic, anatomically precise. -# Single Steel Screw — Ankle Spreader Bar with Threaded Expansion +# Screw — Ankle Spreader Bar with Threaded Expansion You are standing in black void. A single solid steel spreader bar between your ankles. @@ -3294,7 +3122,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One screw, one bar, two ankle cuffs, two wrist cuffs. Realistic, anatomically precise. -# Single Steel Gear — Waist Cinch with Toothed Tightening +# Gear — Waist Cinch with Toothed Tightening You are standing in black void. A single solid steel belt around your waist, polished and seamless. @@ -3307,7 +3135,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One gear, one belt, one key, two wrist cuffs, two ankle cuffs. Realistic, anatomically precise. -# Single Steel Winch — Overhead Suspension with Spool +# Winch — Overhead Suspension with Spool You are suspended in black void. A single solid steel winch floating above you. @@ -3322,7 +3150,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One winch, total vertical control. Realistic, anatomically precise. -# Single Steel Hinge — Knee Bender with Locking Positions +# Hinge — Knee Bender with Locking Positions You are standing in black void. A single solid steel hinge mechanism behind each knee, connected by a rigid bar between your legs. @@ -3335,7 +3163,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. Two hinges, one connecting bar, two wrist cuffs. Realistic, anatomically precise. -# Single Steel Piston — Hip Spreader with Hydraulic Suggestion +# Piston — Hip Spreader with Hydraulic Suggestion You are standing in black void. A single solid steel piston mechanism between your thighs, just above the knees. @@ -3349,7 +3177,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One piston, one pump, two thigh plates, two wrist cuffs, two ankle cuffs. Realistic, anatomically precise. -# Single Steel Dial — Collar Tightener with Indexed Rotation +# Dial — Collar Tightener with Indexed Rotation You are in black void. A single solid steel collar around your neck, polished and seamless. @@ -3363,7 +3191,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One collar, one dial, two wrist cuffs, two ankle cuffs. Realistic, anatomically precise. -# Single Steel Cam Lock — Quick-Release Thigh Band +# Cam Lock — Quick-Release Thigh Band You are kneeling in black void. A single solid steel band around both thighs, just above the knees, holding them together. @@ -3376,7 +3204,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One cam lock, one band, two wrist cuffs, two ankle cuffs. Realistic, anatomically precise. -# Single Steel Worm Gear — Spinal Bar with Segmented Adjustment +# Worm Gear — Spinal Bar with Segmented Adjustment You are in black void, a single solid steel bar running along your spine. One polished steel rod from the back of your neck to your tailbone. @@ -3390,7 +3218,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One worm gear, one bar, two shoulder arms, two wrist cuffs, two ankle cuffs. Realistic, anatomically precise. -# Single Steel Clockwork — Multi-Point Sequential Tightening +# Clockwork — Multi-Point Sequential Tightening You are standing in black void. A single solid steel clockwork mechanism mounted on a central plate at your solar plexus. @@ -3403,7 +3231,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One clockwork, one key, five cables, two wrist cuffs, two ankle cuffs, one collar. Realistic, anatomically precise. -# Single Steel Caliper — Measuring the Body, Mechanical Restraint +# Caliper — Measuring the Body, Mechanical Restraint You are standing in black void. A single solid steel caliper, polished and mechanical, gripping your waist. @@ -3417,7 +3245,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One caliper, one dial, two wrist cuffs, one ankle bar. Realistic, anatomically precise. -# Single Steel Micrometer — Skull Measurement, Jaw and Crown +# Micrometer — Skull Measurement, Jaw and Crown You are standing in black void. A single solid steel micrometer frame around your head. @@ -3432,7 +3260,7 @@ One micrometer, two cuffs. Anthropometric measurement. Realistic, anatomically precise. -# Single Steel Goniometer — Joint Angle Measurement, Knee and Hip +# Goniometer — Joint Angle Measurement, Knee and Hip You are kneeling in black void. A single solid steel goniometer attached to your leg. @@ -3447,7 +3275,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One goniometer, two bands, two wrist cuffs. Realistic, anatomically precise. -# Single Steel Anthropometer — Full Body Length, Vertical Measurement +# Anthropometer — Full Body Length, Vertical Measurement You are standing in black void. A single solid steel anthropometer beside you. @@ -3463,7 +3291,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One anthropometer, three sliding arms, two cuffs. Realistic, anatomically precise. -# Single Steel Pelvimeter — Hip Width Measurement, Mechanical Grasp +# Pelvimeter — Hip Width Measurement, Mechanical Grasp You are standing in black void. A single solid steel pelvimeter gripping your hips. @@ -3477,7 +3305,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One pelvimeter, one dial, two wrist cuffs, two ankle cuffs. Realistic, anatomically precise. -# Single Steel Spirometer — Breath Measurement, Mouthpiece and Chest Band +# Spirometer — Breath Measurement, Mouthpiece and Chest Band You are standing in black void. A single solid steel spirometer device. @@ -3492,7 +3320,7 @@ One spirometer, one chest band, one mouthpiece, two cuffs. Respiratory measurement. Realistic, anatomically precise. -# Single Steel Dynamometer — Grip Strength, Hand Restraint +# Dynamometer — Grip Strength, Hand Restraint You are standing in black void. A single solid steel dynamometer in your cuffed hand. @@ -3507,7 +3335,7 @@ One dynamometer, three cuffs. Strength measurement under restraint. Realistic, anatomically precise. -# Single Steel Skinfold Caliper — Subcutaneous Measurement, Multiple Sites +# Skinfold Caliper — Subcutaneous Measurement, Multiple Sites You are standing in black void. A single solid steel skinfold caliper pinching a fold of skin at your tricep. @@ -3521,7 +3349,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One caliper, one dial, two cuffs. Realistic, anatomically precise. -# Single Steel Stadiometer — Height and Span, Wall-Mounted Measurement +# Stadiometer — Height and Span, Wall-Mounted Measurement You are in black void, standing against a single solid steel stadiometer. One polished vertical beam floating in the void, graduated in millimeters. @@ -3535,7 +3363,7 @@ One stadiometer, three measuring arms. Anthropometric documentation. Realistic, anatomically precise. -# Single Steel Cephalometer — Cranial Dimensions, Full Head Frame +# Cephalometer — Cranial Dimensions, Full Head Frame You are standing in black void, your head within a single solid steel cephalometer. One polished cubic frame surrounding your skull. @@ -3550,7 +3378,7 @@ One cephalometer, multiple measurement rods, two cuffs. Craniometric documentation. Realistic, anatomically precise. -# Single Steel Segmometer — Limb Segment Lengths, Sequential Measurement +# Segmometer — Limb Segment Lengths, Sequential Measurement You are standing in black void. A single solid steel segmometer floating beside you. @@ -3566,7 +3394,7 @@ Eyes looking at camera, keeping your facial characteristics as reference photo. One segmometer, one hinge, one dial, two cuffs. Realistic, anatomically precise. -# Single Steel Thoracometer — Chest Dimensions, Rib Cage Expansion +# Thoracometer — Chest Dimensions, Rib Cage Expansion You are standing in black void. A single solid steel thoracometer encircling your torso. @@ -3583,7 +3411,7 @@ Two hoops, eight rods, two cuffs. Thoracic anthropometry. Realistic, anatomically precise. -# Single Steel Somatometer — Full Body Grid, Cartesian Measurement +# Somatometer — Full Body Grid, Cartesian Measurement You are standing in black void within a single solid steel somatometer. One polished steel cubic grid, three meters per side, floating. @@ -3598,7 +3426,7 @@ One grid, multiple crosshairs, two cuffs. Cartesian anthropometry. Realistic, anatomically precise. -# Single Steel Craniometer — Full Cranial Vault, Radial Measurement Arms +# Craniometer — Full Cranial Vault, Radial Measurement Arms You are standing in black void. A single solid steel craniometer encircling your head. @@ -3615,7 +3443,7 @@ One ring, six arms, six pads, one dial, two cuffs. Cranial vault anthropometry. Realistic, anatomically precise. -# Single Steel Podometer — Foot Morphology, Arch and Toe Measurement +# Podometer — Foot Morphology, Arch and Toe Measurement You are seated in black void, one leg extended. A single solid steel podometer beneath your foot. @@ -3632,7 +3460,7 @@ One podometer, one arch probe, one dial, two cuffs. Pedal anthropometry. Realistic, anatomically precise. -# Single Steel Somatotype Caliper — Endomorphy, Mesomorphy, Ectomorphy +# Somatotype Caliper — Endomorphy, Mesomorphy, Ectomorphy You are standing in black void. A single solid steel somatotype caliper system. @@ -3650,7 +3478,7 @@ One stand, four arms, three dials, one counter, two cuffs. Somatotype anthropometry. Realistic, anatomically precise. -# Single Steel Biacromial Caliper — Shoulder Breadth, Clavicular Length +# Biacromial Caliper — Shoulder Breadth, Clavicular Length You are standing in black void. A single solid steel biacromial caliper resting across your shoulders. @@ -3667,7 +3495,7 @@ One bar, two sliding arms, one secondary caliper, two cuffs. Shoulder anthropometry. Realistic, anatomically precise. -# Single Steel Pelvic Inclinometer — Iliac Tilt, Sacral Angle +# Pelvic Inclinometer — Iliac Tilt, Sacral Angle You are standing in black void. A single solid steel pelvic inclinometer positioned against your pelvis. @@ -3683,7 +3511,7 @@ One bar, one protractor dial, two arms, one sacral probe, two cuffs. Pelvic anthropometry. Realistic, anatomically precise. -# Single Steel Dactylometer — Finger and Phalange Measurement +# Dactylometer — Finger and Phalange Measurement You are standing in black void, one arm extended forward. A single solid steel dactylometer beneath your hand. @@ -3700,7 +3528,7 @@ One handplate, five cradles, fifteen phalange markers, one dial, two cuffs. Digital anthropometry. Realistic, anatomically precise. -# Single Steel Total Body Anthropometer — Integrated Measurement System +# Total Body Anthropometer — Integrated Measurement System You are standing in black void within a single solid steel total body anthropometer. One polished steel vertical column, two meters tall, with integrated measurement arms at every key landmark. @@ -3723,4 +3551,136 @@ The upper body is lifted, chest open. Both arms are extended, showcasing their length and the strength of the forearms. The legs are drawn up, bent at the knees, with the right leg still crossed over the left. The subject's gaze is directed at the viewer, creating a powerful and direct engagement. -Clean, studio lighting on a neutral background. + +# Serpentine S-Curve + +Kneeling in a polished steel helix in black void. The helix makes three turns around the body, cuffing ankles wide, cinching the waist and pulling hips forward, passing under arms and across the chest. The body follows a kneeling S-curve dictated by the spiral. Eyes looking at the camera, facial characteristics as reference. Maximum restraint, minimal material, serpentine perfection. Realistic, anatomically precise. + +# Labial Presentation + +Standing in black void, a single solid steel retractor holding labia apart. +The retractor is seamless, with a central curved bar and smooth clamps. +The device grants total visual and physical access to intimate anatomy. +Eyes looking at the camera, keeping facial characteristics as reference. +Realistic, anatomically precise. + +# Inverted Suspension + +Suspended by wrists in a black void, arms pulled straight overhead. A steel collar around the neck and a chain taut, pulling the body into a slight arch. Toes barely touching nothing, three points of tension: wrists up, neck down, ankles up. Body as tensioned cable. Perfect black background. Eyes looking into the camera. Realistic, anatomically precise. + +# Steel Tongue Plate + +In black void, a small polished steel plate resting on the extended tongue. A thin wire runs from each edge of the plate to a collar around the neck, holding the tongue gently extended. The mouth is open, lips framing the steel and pink flesh. Eyes looking at the camera, vulnerable offering. Breath misting the steel. Realistic, anatomically precise. + +# Kneeling Arch + +Kneeling in black void, back deeply arched, chest open to the sky. Arms extended overhead, hands clasped or reaching. Hips pushed forward, spine in deep backbend. Head looking upward or at the camera. Explicit body positioning, torso angle, and eye contact. Realistic, anatomically precise. + +# Spreader Bar Suspension + +Suspended by wrists with a spreader bar between ankles, legs wide. The suspension swing allows for pelvis suspension, limbs dangling freely. The position is supine, presenting the body in a bound and exposed manner. Eyes looking at the camera, facial characteristics as reference. Realistic, anatomically precise. + +# Steel Examination Bench + +Prone immobilization on a steel examination bench. The bench has stirrups and wrist cuffs, securing the body in a spread eagle position. The body is fully exposed for inspection. Eyes looking at the camera, facial characteristics as reference. Realistic, anatomically precise. + +# Steel Marble Seal + +Seated in black void, lips sealed around a steel marble. The marble is held in place, ensuring complete silence. The body is folded and locked in a seated position, fully converged. Eyes looking at the camera, facial characteristics as reference. +Realistic, anatomically precise. + +# Apex Predator + +lying on back, legs raised overhead and bent at the knees, thighs gripping the upper arms. arms extended along the ground, palms down for support. hips lifted high, spine deeply folded. looking up at the legs, then into camera. Compressed, intense. Perfect anatomy, realistic + +# Serpent's Embrace + +seated, legs extended forward and spread wide. torso leaning back, supported on the hands behind. arms lifted to shoulder height, elbows bent and hands clasping the back of the head. body forming an S-curve from shoulders to hips. head tilted back, looking at the sky. Suspended, fluid. Perfect anatomy, realistic + +# Steel Envelope + +legs spread wide, thighs locked into steel grooved tracks. torso arched, chest pressed against cold metal. arms extended, palms down, fingers curled around raised edges. head turned to side, cheek against steel. gazing into camera with an intense look. restrained, vulnerable. perfect anatomy, realistic + +# Inverted Cradle + +suspended upside down, legs bent at knees, held in open steel cuffs. arms stretched above, wrists locked behind back. waist secured to a steel bar with chain. body fully extended, hair sweeping the floor. looking up at camera, face serene. gravity-defying, helpless. realistic + +# Torso Cage + +torso encased in a steel grid, limbs free to move. legs bent, knees drawn up, feet flat on ground. arms extended, palms up, fingers reaching out. head tilted back, eyes closed, expression of deep relaxation. confined, yet comfortable. anatomically precise, hyperrealistic + +# Arching Post + +back arched, torso nearly vertical. legs spread, heels against a steel post, toes pointed. arms stretched high, wrists cuffed to overhead bar. head thrown back, eyes closed, mouth open in a silent cry. tension, release. anatomically precise, hyperrealistic + +# Suspended Gynecological Examination + +legs wide apart, held by spreader bar attached to ceiling. body suspended horizontally, hips elevated. arms extended to sides, wrists cuffed. looking down at camera, expression a mix of anticipation and apprehension. exposed, examined. perfect anatomy, realistic + +# Steel Stockade + +neck, wrists, and ankles locked in one steel block. body bent forward, knees slightly bent. arms extended, fingers nearly touching ground. head tilted, gazing forward with determination. restrained, but not defeated. perfect anatomy, realistic + +# Kneeling Submission + +kneeling, back arched, arms extended behind, wrists cuffed. legs spread, toes pointed. head tilted up, eyes closed, expression of surrender. vulnerable, submissive. anatomically precise, hyperrealistic + +# Open Steel Sarcophagus + +body lying on steel slab, legs apart, arms extended to sides. head tilted back, eyes closed, expression peaceful. torso and limbs locked by steel bars. enclosed, yet visible. perfect anatomy, realistic + +# Velvet Shroud + +lying on back, legs drawn up and spread wide, knees bent, feet flat on ground. torso lifted by a thin steel bar running under the back, supported by a small steel cylinder at each end. arms extended to sides, elbows resting on the ground. head tilted back, looking into camera, expression serene. completely vulnerable and exposed, yet wrapped in a steel embrace. perfect anatomy, realistic + +# Steel Cradle + +seated on a polished steel cradle, legs bent, feet resting on a small steel platform. torso supported by a curved steel bar running under the back, arms wrapped around the bar, hands holding onto the sides. head tilted forward, looking into camera, expression one of surrender. the cradle is both a support and a restraint, enveloping the body in steel. perfect anatomy, realistic + +# Iron Butterfly + +lying on back, legs spread wide, knees bent, feet flat on ground. torso held up by a steel frame that wraps around the hips and upper legs, resembling the wings of a butterfly. arms are free, resting at the sides. head tilted back, looking into camera, expression tranquil. the frame both supports and restricts, creating a sense of vulnerability. perfect anatomy, realistic + +# Caged Torso + +standing, legs shoulder-width apart, knees slightly bent. torso enclosed in a steel cage that fits snugly, with openings for the arms and head. arms raised above head, wrists bound together with a steel strap. head tilted back, looking into camera, expression defiant. the cage both restricts and protects, creating a paradoxical sense of freedom. perfect anatomy, realistic + +# Suspended Arch + +suspended by the wrists from a steel bar, knees bent, feet barely touching the ground. torso arched back, creating a dramatic curve. arms are stretched out to the sides, adding to the overall shape of the body. head tilted back, looking into camera, expression one of strained ecstasy. the suspension both challenges and showcases the body's flexibility. perfect anatomy, realistic + +# Spread-Eagle Supine + +lying on back, arms and legs spread wide, like a bird in flight. a steel frame holds the arms and legs in place, with small padding at the joints for comfort. head tilted back, looking into camera, expression one of blissful submission. the frame both restricts and celebrates the body's openness. perfect anatomy, realistic + +# Knee-Bent Crucifix + +suspended from a steel bar by the wrists, knees bent, feet barely touching the ground. arms are stretched out to the sides, like those of a crucified figure. torso hangs straight, creating a stark silhouette. head tilted forward, looking into camera, expression one of solemn defiance. the suspension both challenges and showcases the body's strength. perfect anatomy, realistic + +# Steel Thumb + +biting on a steel thumb. eyes open, staring forward with a mixture of defiance and pleasure. arms at the sides, palms down. legs slightly apart, knees bent. strong, fierce. defiant, empowered. detailed, lifelike. anatomy precise, realistic + +# Sculpted Serpent + +Lying on back, legs extended, bent at the knees and spread apart, with soles facing each other. Arms are bent, with elbows resting on the ground and hands clasped together. The pelvis is slightly elevated, creating a gentle curve in the lower back. The head is tilted back, with the chin pointing upwards and eyes closed. The expression is serene, with a soft smile. The pose is reminiscent of a serpent coiled and ready to strike, highlighting the curvature of the spine and the grace of the body. Anatomically precise, hyperrealistic + +# Arching Siren + +Seated on the ground, legs stretched out in front, bent at the knees and spread apart. The torso is bent back, forming a deep arch, with the hands placed on the ground beside the hips for support. The head is tilted back, with the hair flowing down towards the ground. The eyes are closed, and the lips are slightly parted, as if the siren is singing a haunting melody. The pose captures the allure and mystery of the siren, emphasizing the elegance and flexibility of the body. Anatomically precise, hyperrealistic + +# Inverted Gynecological Examination + +Lying on back, legs extended and spread apart, with stirrups supporting the feet and elevating the pelvis. The arms are bent, with the hands grasping the edges of the examination table for support. The head is tilted back, with the chin pointing upwards and eyes closed. The expression is focused and determined, as if the subject is ready to face whatever challenges come their way. The pose highlights the vulnerability and strength of the subject, emphasizing the importance of medical examinations. Anatomically precise, hyperrealistic + +# Bondage Butterfly + +Lying on back, legs bent at the knees and spread apart, with the ankles tied together in a butterfly position. The arms are extended above the head, with the wrists tied to the ankles. The head is tilted back, with the chin pointing upwards and eyes closed. The expression is one of surrender and pleasure, as if the subject is fully immersed in the bondage experience. The pose captures the beauty and complexity of BDSM, emphasizing the trust and consent involved. Anatomically precise, hyperrealistic + +# Captured Serpent + +Standing on a pedestal, legs bound together with ropes, with the hands tied behind the back. The body is bent forward, forming a graceful curve, with the head tilted back and eyes closed. The expression is one of surrender and vulnerability, as if the subject is a captured serpent, longing to be free. The pose captures the beauty and complexity of bondage, emphasizing the power dynamics and emotional depth involved. Anatomically precise, hyperrealistic + +# Splayed Gynecological Examination + +Lying on back, legs bent at the knees and spread apart, with the feet secured in stirrups. The arms are extended above the head, with the wrists tied to the bedposts. The head is tilted back, with the chin pointing upwards and eyes closed. The expression is one of relaxation and openness, as if the subject is completely at ease and surrendered to the examination. The pose highlights the vulnerability and strength of the subject, emphasizing the importance of medical examinations. Anatomically precise, hyperrealistic